In 1978, Pedro Meyer entered Anastasio Somoza’s bunker and heard a chilling pronouncement from the dictator’s own lips: “These deluded Nicaraguans believe that they are going to remove Somoza and everything will be fixed, and it is not so.” While the National Guard sowed terror outside, his camera recorded the faces of a country that still did not know the price of its future.

This exhibition does not reconstruct a war: it makes it breathe again. It confronts power with its victims, hope with its consequences, and history with its bitterest irony. To visit it is to enter that moment when everything seemed possible and to discover, almost half a century later, that some words continue to burn.