An Ecuador brings together several returns: the commission for Smithsonian magazine, the 2002 family trip, the fall at Hacienda La Rinconada, the visit to the Galápagos Islands, and Pedro Meyer’s public return with his work Heresies. Edited with texts by Colombian-Ecuadorian photographer Yinna Higuera, the book intersects archive, body, and memory, moving from otherness to vulnerable power and from published photography to the image that the archive preserves as truth.