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1950-1959

1957
Acknowledgments
Participation, awards, and recognitions of the Photographic Club of Mexico, which he joined in 1957
1957
1957
Acknowledgments
CATEGORY "C"
THEME: Abstract and Modernist
THIRD PLACE
1957
1959
1959
1959
Acknowledgments
CATEGORY "C"
THEME: Still life
THIRD PLACE
1959
1959
Acknowledgments
CATEGORY "Black and white"
THEME: Free
SECOND PLACE
1959

1960-1969

1963
1963
1963
1963
1963
1963
1963-1964
Exhibitions
Over the course of a year, he created the photographic essay of the Bosque de Chapultepec. Also one of the first audiovisuals of its time, widely viewed: “Chromatic Impressions of Chapultepec.”
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1963-1964
1963-1967
Community
Co-founder of the Grupo Arte Fotográfico, Mexico D.F. The group organizes discussions about photography and individual exhibitions in Mexico.
1963-1967
1966
Exhibitions
  • The Chapultepec audiovisual is presented by Leitz at the International Photographic Fair in New York; receives the first financial reward for a personal photographic work (SLR camera with all its lenses).
  • He is invited by Leitz to exhibit his work at the International Photographic Fair, New York, United States.
1966
1966
Acknowledgments
Receives the Leitz Award, presents his work at the International Photographic Fair, New York, United States.
1966
1968
Personal projects
Photography in the streets of Mexico City, documenting the events of student demonstrations throughout the year, prior to the Olympics.
1968

1970-1979

1973
Exhibitions
Holds his first individual retrospective exhibition (20 years) “Photographic Retrospective of Pedro Meyer” at the Nabor Carrillo Gallery, at the Mexican-North American Institute of Cultural Relations. As a result of the exhibition, a catalog is published with an introduction written by Carlos Monsiváis.
1973
1975
Personal projects
Still photography of Pafnucio Santo, film by Rafael Corkidi.
1975
1975
Teaching
  • On the Use of Photography as a Means of Expression. The University of the Americas, Cholula, Puebla, Mexico.
  • Photographic testimonial by Pedro Meyer. Mexico/Israel Cultural Institute
1975
1975
COMMISSIONED WORKS
Works for Grupo DESC, Lucero Lozano, Old Maps of Mexico, Liverpool and for SALVAT.
1975
1976
Acknowledgments
Receives mention in the exhibition Nuevos Valores 1976. Salón de la Plástica Mexicana, México D.F. Mexico.
1976
1978
Community
Chairs the Selection Committee for the Latin American works to be presented at the “First Latin American Photography Exhibition” at the Museum of Modern Art.
1978
1978
Exhibitions
  • Exhibits with Guillermo Ceniceros and Enrique Estrada at the Álvaro and Carmen T. de Carrillo Gil Museum, “The Contemporary Portrait in Mexico I: painting and photography”.
  • Creates the exhibition “Sandinista Testimonials” and it is exhibited in the Galería del Bosque, Casa del Lago, of the UNAM.
    1978
    1978
    COMMISSIONED WORKS
    Work for SOMEX.
    1978
    1979
    Acknowledgments
    • Chairs the jury of the First Latin American Photography Exhibition: «Hecho en Latinoamérica,» during the First Latin American Photography Colloquium at the Museum of Modern Art of Mexico City, Mexico D.F., Mexico.
    • "First International Photography Contest: The child and the structure. Caracas Festival, Caracas, Venezuela. Jury."
    1979
    1979
    Personal projects
    Travels extensively through Nicaragua, photographing and interviewing people, including the then dictator Anastasio Somoza. He is the first to be able to photograph the Sandinistas in their training camps.
    1979
    1979
    Teaching
    • Latin American Photography: How they see us, how we see ourselves.
    • Venice ’79, La FotografÌa, Venice, Italy.
    • Critique of the photography market; working outside the system.
    • Symposion on Photography, Forum Stadtpark, Graz, Austria "The Portrait.
    • Recontres Internationales de la Photographie, Arles, France."
    • Critique of the photography market; working outside the system.
    • Chicana Plastic Conference, University of Texas, Austin, TX, United States.
    • Nicaragua and Latin America, Directions and Perspectives, The Photographers; International Center of Photography, (ICP) New York, First National Photography Meeting.
    • 1959-79 XX Anniversary, Casa de Las Americas.
    • History of Cuban Photography, Museo de Arte Alvaro y Carmen de Carrillo Gil.
    • Photography Forum. I International Photography Contest.
    1979

    1980-1989

    1980
    Commissioned Works
    • Work for Banca Confía.
    • Work for Banco del Atlántico.
    • Work for Cannon Mills.
    1980
    1980
    Exhibitions
    • “De Minha Terra-Realidades Lendas e Mitos.” Museu da Imagem e do Som. Sao Paulo, Brazil. Forum, FNA. Paris, France.
    • “Images of Nicaragua.” Casa Municipal de la Cultura. Querétaro, Mexico.
    1980
    1980
    Awards and Recognitions
    Receives a mention in the exhibition Nuevos Valores 1976. Salón de la Plástica Mexicana, Mexico City, Mexico.
    1980
    1980
    Teaching
    The Photographer's Decisions in the Face of Pain. Universidad Iberoamericana. Mexico City, Mexico.
    1980
    1980
    Community
    • Invited to Lázaro Cárdenas, Michoacán, along with other photographers, to create a historical record of daily life in the town.
    • Chairs the Organizing Committee of the Second Latin American Photography Colloquium. Founds and organizes “La Casa de la Fotografía,” which serves as the headquarters for the Mexican Photography Council. Work for Cannon Mills.
    • President of the Organizing Committee of the Second Latin American Photography Colloquium. He is re-elected president of the Mexican Photography Council and opens the Casa de la Fotografía, which will become the center of photographic activities in Mexico City."
    • Inauguration of the headquarters of the Mexican Photography Council.
    1980
    1981
    Commissioned Work
    • Work for Resistol in Lerma.
    • Work for BIMBO.
    • Sacred Art Work.
    • Work for National Enquirer.
    • Work with Miguel de la Madrid
    1981
    1981
    Exhibitions
    “De Minha Terra-Realidades Lendas e Mitos.” Centro de Artes, University of Pernambuco. Brazil. Museum of Modern Art Salvador. Bahia, Brazil.
    1981
    1982
    Commissioned Work
    Work for Aluminios Perdura.
    1982
    1982
    Community
    Collaborates on the magazine El nuevo rostro de México en la fotografía.
    1982
    1982
    Exhibitions
    • Exhibition “Photographs by Pedro Meyer.” Galerie Studio 666. Paris.
    • Exhibits “Photographs by Pedro Meyer” in Bielefeld and Essen.
    1982
    1982
    Teaching
    • Latin American Photography. Dialogues on Photography. Los Angeles County Museum of Art, Los Angeles, CA, United States.
    • Lecture for “Second Latin American Colloquium Photography” in LA. “Latin American Photography” at the Los Angeles County Museum.
    • Lecture: “Mexican Photography” and “Markets for Photography,” Casa de la Cultura in Quito, Ecuador. Guest lecturer.
    • Latin American Photography. First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • Critique of the photographic market, working outside the system. First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • Latin American Photography. Dritte Welt Haus, Bielefeld, Germany.
    • Latin American Photography. Universitat Essen, Germany.
    • “The Portrait.” Mexican Photography Council, Mexico City, Mexico.
    1982
    1982
    Awards and Recognitions
    • First National Encounter of Contemporary Photography of Ecuador, Quito, Ecuador. Juror.
    • W. Eugene Smith Foundation, New York, NY, United States. Consultant.
    • Invited for the Cuban Photography Award, in Havana, Cuba.
    1982
    1983
    Teaching
    • History of the Mexican Photography Council. First National Photography Encounter in San Miguel de Allende, Casa de la Cultura, «El Nigromante», San Miguel de Allende, Mexico.
    • Dialectics of the Spectator, round table on the work of Tomás Gutierrez Aléa. Casa de la Fotografía, Mexico City, Mexico.
    • Presents an audiovisual of his work within the series “Contemporary Photography” at the Museum of Modern Art in Mexico.
    • Two Visions on Mexican Photojournalism. Center for Communication Studies: Mexico City, Mexico.
    1983
    1983
    Awards and Recognitions
    • Photography contest of the Casa de la Cultura in Juchitán, Oaxaca, Mexico. Juror.
    • A 10-minute program about his photographic work is filmed by Channel 13 - Mexican Television.
    • West German Television films a 30-minute program about Pedro Meyer's work.
    1983
    1983
    Exhibitions
    • Photographs by Pedro Meyer.” Nikon Gallery. Zurich, Switzerland. Galería Spectrum - Cannon. Zaragoza, Spain.
    • Exhibits at the National Museum of Fine Arts.
    • “Three Mexican Photographers: Víctor Flores Olea, Graciela Iturbide, and Pedro Meyer” at the Casa de Cultura Fernando Gordillo in Managua, Nicaragua.
    1983
    1983
    Commissioned Works
    Work for Fester.
    1983
    1984
    Commissioned Works
    Work for Camino Real.
    1984
    1984
    Awards and Recognitions
    • Receives an award at the III Biennial of Photography of Mexico.
    • Foto Fest 1984. The Month of Photography. Houston. TX, United States. Consultant.
    • First Havana Art Biennial, Cuba. Juror.
    1984
    1984
    Teaching
    • Presents at the Third Latin American Photography Colloquium in Havana, Cuba. Conducts the workshop “Organizing a Portfolio.”
    • Photographs by Pedro Meyer. Arizona Western College, Yuma, AZ, United States.
    • Photographs by Pedro Meyer. Center for Creative Photography, University of Arizona, Tucson, AZ, United States.
    • The use of photography to teach literacy, Society for Photographic Education, SPE. Riverside, CA, United States.
    • Lecture “The use of photography to promote literacy: experience in Peru”
    • Photography in the Nicaraguan Revolution. Comments on the paper presented by Esther Parada. Society for Photographic Education, SPE, Riverside, CA, United States.
    • For what and for whom is photography made? First National Photography Colloquium, Pachuca, Hidalgo, Mexico.
    • For what and for whom is photography made? Third Latin American Photography Colloquium, Havana, Cuba.
    1984
    1984
    Community
    • Member of the Organizing Committee of the Third Latin American Photography Colloquium in Havana, Cuba."
    • Presents at the Third Latin American Photography Colloquium in Havana, Cuba. Receives an award at the III Biennial of Photography of Mexico and gives the workshop “Organizing a Portfolio.”
    1984
    1985
    Awards and Recognitions
    • The Friends of Photography’s Peer Awards in Creative Photography. United States.
    • W. Eugene Smith Fund. New York, NY, United States. Juror.
    • Member of the committee to select the winners of the First Annual Awards of the International Center of Photography. New York, NY, United States.
    • Acquisition award at the First National Photography Colloquium. Pachuca Hidalgo, Mexico.
    • Receives the «Premio Internazionale di Cultura Citta di Anghiari» in Italy.
    1985
    1985
    Commissioned Works
    Work for Guadiana.
    1985
    1985
    Exhibitions
    • Exhibits “Tiempos de América” at the Premio Internazionale di Cultura Citta di Anghiari in the Palazzo Pretorio (April to May). This same exhibition is presented at Studio Ricerca Aperta, in Naples, Italy (April to October).
    • “Lección de ojos. Photographic exhibition of 6 artists” is exhibited at Galería José Guadalupe Posada, in Mexico City.
    1985
    1985
    Personal Projects
    Covers the 1985 earthquake.
    1985
    1985
    Community
    • Creates and organizes the Rio de Luz series, a collection of Latin American photography books published by Fondo de Cultura Económica, Mexico. Visiting Artist: The Arizona Commission on the Arts and the Arizona Western College. Yuma, AZ, United States."
    • Meeting of photography professionals in Luxembourg. UNESCO.
    1985
    1986
    Awards and Recognitions
    • First National Photography Contest, PSUM (Unified Socialist Party of Mexico), as a juror.
    • Member of the committee to select the winners of the Second Annual Awards of the International Center of Photography. New York, NY.
    1986
    1986
    Publications
    Publishes Espejo de Espinas (Fondo de Cultura Económica, 1986). Foreword by Carlos Monsiváis.
    1986
    1986
    Teaching
    • Latin American Photography. Foto Fest, Houston, TX, United States. (May)
    • Centrum for Photography lectures on Latin American Photography Planket 86 Stockholm and Gothenburg, Sweden."
    • The Popularization of Casasola’s Photographs of the Revolution. Art & Revolution: The Mexican Case, Blaffer Gallery, University of Texas, Houston, TX, United States.
    • New Orleans Museum of Art. New Orleans, LA, United States.
    • The artist and their commitment to cultural heritage. National Cultural Heritage, its Conservation and Protection. College of Ethnologists and Social Anthropologists, A.C. National Museum of Anthropology. Mexico City, Mexico.
    • Round Tables on Photography. Galería Avril. Mexico City.
    • “Reportage and Anti-reportage: Truth and falsehood in photography.” First Israeli Biennial of Photography, taught with Joan Fontcuberta. Kibbutz Ein Harod, Israel.
    • Creating in photography, round table. First Photography Salon. Salón de la Plástica Mexicana. Mexico City.
    1986
    1986
    Exhibitions
    • “Pedro Meyer” is exhibited at Planket ‘86. Sweden.
    • “Pedro Meyer, Mexican Photographer.” Douchy-Les-Mines, Hotel de Ville, Centre Regional de la Photographie Nord-Pas de Calais. France."
    • “Tiempos de América.” Sasso di Castalda -Edificio Scolastico, Comune di Sasso di Castalda. Potenza, Italy.
    • “The Others and Us.” Museum of Modern Art. Mexico City, Mexico.
    • Pedro Meyer: Photographs.” University Art Gallery. New Mexico, United States.
    1986
    1987
    Awards and Recognitions
    • Receives a John Simon Guggenheim Fellowship. United States.
    • Award-winning essay in the 4th International Art Competition. Images of Work. Employment or its lack. PREALC. International Labour Organization, ILO, Santiago, Chile.
    • Feito na America Latina. Brazil. Juror.
    1987
    1987
    Publications
    Tiempos de América is published (Italy, 1985)
    1987
    1987
    Exhibitions
    • "Contemporary Latin American Photographers Society for Photographic Education, San Diego, CA, United States. (March-April 1987) Group exhibition"
    • "Contemporary Latin American Photographers -Burden Gallery, New York, NY, United States. (June 4 - July 25, 1987)"
    • "Contemporary Latin American Photographers - Los Angeles Art Association Gallery, Los Angeles, CA, United States. (September-October 1987) Group exhibition."
    • “Pedro Meyer. Photographs of Latin America.” San Francisco Museum of Modern Art. San Francisco, CA.
    1987
    1987
    Personal Projects
    • “Paseo al Parque” Series
    • Travels to various regions of southern Mexico to work on the PEMEX project.
    1987
    1988
    Publications
    Los cohetes duraron todo el día. (Pemex, 1988) edited by Pablo Ortiz Monasterio.
    1988
    1988
    Teaching
    • Fotoforum, Pedro Meyer Photographs of Latin America, San Francisco Museum of Modern Art, CA. United States.
    • Workshop “The Friends of Photography” and the course “The photograph as a Document” at Dominican College, San Rafael.
    • Attends “The Third International Photography Congress” in Rockport, Maine.
    1988
    1988
    Exhibitions
    • Photo Days Festival, Buenos Aires, Argentina (July 18-August 15, 1988) Group exhibition.
    • Contemporary Mexican Photography. (October-November) Gallery 44 Centre for Contemporary Photography, Toronto, Canada.
    • The Photography Gallery, Harbour Front, York Quay Center, Toronto, Canada. (Group exhibition)
    • "Contemporary Latin American Photographers. Denver Art Museum, Denver, CO, United States. (October 29-December 31, 1988) Group exhibition."
    • Image of Mexico.
      • Schirn Kunsthalle, Frankfurt am Römerberg, Germany. (Group exhibition).
      • Art Gallery of the Exhibition Palace, Vienna, Austria. (Group exhibition).
      • Museum of Modern Art, Dallas, TX, United States. (Group exhibitions).
    1988
    1989
    Teaching
    • Latin American Photography. Fourth International Photography Congress, Maine Workshops, Rockport, ME, United States.
    • Electronic Image and the Future. 150 years of photography in Mexico. Palacio de Bellas Artes, Mexico City, Mexico.
    • At Port San Luis Harbor District, in Avila Beach, CA.
    • Attends the 10th Yuma Symposium.
    1989
    1989
    Awards and Recognitions
    Leopold Godowsky Jr. Color Photography Awards, United States.
    1989
    1989
    Exhibitions
    • “Pedro Meyer” is being exhibited at Visions Gallery (September to November).
    • "Museum of Modern Art, 25 Years, 1964-1989.
    • Museum of Modern Art, Mexico City, Mexico. Group exhibition."
    • "The Memory of Time: 150 years of Mexican Photography.
    • Museum of Modern Art, Mexico City, Mexico. Group exhibition."
    • "Ten years After.
      The Yuma Symposium, Yuma, AZ, United States. Group exhibition."
    1989
    1989
    Personal Projects
    • Travels 1,500 miles across the United States, working on the Guggenheim project.
    • Photos of Hasidic Jews, El Paso, Texas.
    1989
    1989
    Community
    • Exhibition by Pedro's students, “Young Artists” “The Electronic Image and the Future.” 150 years of photography in Mexico. Palacio de Bellas Artes, Mexico City, Mexico.
    • Coordinates the exhibition “Mexico Through Foreign Eyes,” inviting Fred Ritchin and Carole Naggar as curators.
    1989

    1990-1999

    1990
    Awards and Recognition
    World Press Photo Awards, Amsterdam, Netherlands. Juror.
    1990
    1990
    Teaching
    • Lectures on personal work, San Juan, Puerto Rico organized by EN FOCO, New York, United States. Visual Community Arts Agency in the Exchange program.
    • Latin American Photography, at the Twenty-second Photography Seminar, The National Geographic Society. Washington D.C., United States.
    • Visual Community Arts Agency in the Exchange program.
    • Mother Jones Awards, San Francisco, CA, United States.
    • Rochester Institute of Technology, New York, United States.
    1990
    1990
    Exhibitions
    • "Between Worlds - Contemporary Mexican Photography. Group exhibition Other Images: Other Realities Mexican Photography Since 1930. Group exhibition."
    • What’s New: Mexico City. Group exhibition.
    • "Images of Silence. Photography from Latin America and the Caribbean in the Eighties. Museum of Modern Art of Latin America. Organization of American States. Group exhibition."
    1990
    1990
    Community
    "Focuses on learning the use and implications of digital art and photography; opens a studio in Los Angeles, CA, United States."
    1990
    1991
    Teaching
    Multimedia Designers Conference, organized by the Aspen Institute. Laguna Beach, CA, United States.
    1991
    1991
    Personal Projects
    "Spends 2 months photographing the Mixteca region of Oaxaca for National Geographic."
    1991
    1991
    Exhibitions
    • "Selections from the History of Mexican Photography. Cavin Morris Gallery, New York, United States."
    • "Images of Silence. Photography from Latin America and the Caribbean in the Eighties. Museum of Modern Art of Latin America. Organization of American States. Group exhibition"
    • Between Worlds - Contemporary Mexican Photography. Group exhibition-
    • Other Images: Other Realities Mexican Photography Since 1930. Group exhibition.
    • What’s New: Mexico City. Group exhibition.
    1991
    1992
    Teaching
    • Media Map – Museum of Modern Art, Los Angeles, CA, United States.
    • Directs graduate seminar on “The image in the era of digital technology” at Graduate Studies, Dept. of Photography, The Art Center Pasadena, CA.
    • Made in the Americas – Latin American Photography, San Francisco Museum of Modern Art. San Francisco, CA, United States.
    • Pedro Meyer’s Work, Museum of Contemporary Arts, MOCA, Los Angeles, CA, United States.
    • Photography from B.D. to A.D. Digital Photography: Ethical Issues Related to Digital Image Making, Seybold Conference, San Francisco, CA, United States.
    • “I Photograph to Remember” at The Cyberarts Gallery, as part of the Third Annual Cyberarts International Conference in Pasadena, CA.
    • City View- Mexicans in LA feature on Pedro Meyer. KABC TV Los Angeles, CA, United States.
    1992
    1992
    Personal Projects
    • I Photograph to Remember – Hispanic Month on KCET, Public Television, Los Angeles. CA, United States.
    • Photo and video shoot in LA
    • Photos in Simi Valley.
    1992
    1992
    Exhibitions
    • “Pedro Meyer’s Work”, Museum of Contemporary Arts, MOCA, Los Angeles, CA.
    • "Breaking Barriers: Revisualizing the Urban Landscape. Santa Monica Museum of Art, CA, United States."
    • "Contemporary Mexican Photography. Museum of Fine Arts, Houston, United States."
    1992
    1992
    Awards and Recognition
    I Photograph to Remember - Hispanic Month on KCET, Public Television, Los Angeles. CA, United States.
    1992
    1993
    Awards and Recognition
    JS. Guggenheim Memorial Foundation. NY, United States. Consultant.
    1993
    1993
    Teaching
    • The challenges of technology to contemporary Latin American photographic creation. Latin American Photography Meeting. Caracas, Venezuela.
    • "in San Francisco, Mac World."
    • Presentation “Presentation at TV”.
    • Centro Nacional de las Artes. Mexico City, Mexico.
    • Digital World Hilton.
    • Workshop at Artimedia. Batley, Yorkshire, U.K.
    • Riverside Symposium.
    1993
    1993
    Community
    • Guggenheim Memorial Foundation. NY. Consultant."
    • Creates the ZoneZero website."
    • television interview.
    1993
    1993
    Exhibitions
    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the California Museum of Photography, Riverside, CA.
    • Exhibits “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Museo de Artes Visuales Alejandro Otero in Caracas, Venezuela.
    • Montage 1993.
      • - Rochester New York, United States.
      • - Addison Gallery of American Art, Andover, MA, United States."
    1993
    1994
    Teaching
    • Mexico Through Foreign Eyes. Armand Hammer Museum, Los Angeles, CA, United States.
    • National Museum of Photography, Film and Television. Bradford, Yorkshire, UK ASMP conference.
    • Seybold Conference.
    • Images and interaction: showcasing photographs in multimedia. VISCOMM – United Digital Artists, San Francisco, CA, United States.
    • LA MUSIC, Milton Party.
    • Vox Mondi – Digital media Consortium, University of California, Los Angeles, CA, United States.
    • Digital Evolution – Symposium on Digital Photography. Pebble Beach, CA, United States.
    • Houston Center of Photography, Symposium. Houston, TX, United States.
    • Fotofest. Houston, TX, United States.
    • Centro de la Imagen. Mexico City, Mexico.
    • The Interface of the Narrative. Arts Center, Pasadena, CA, United States.
    • Digital Photography and the Visual Truth. California Museum of Photography in Riverside. United States.
    • Digital Photography in Photojournalism. First Photojournalism Biennial. Centro de la Imagen. Mexico. (November)
    1994
    1994
    Exhibitions
    • New Media Expo in LA. “Mexico Through Foreign Eyes”, Armand Hammer Museum, Los Angeles, CA.
    • "National Museum of Photography, Film and Television. Bradford, Yorkshire, UK"
    • Fashion Institute of Technology, New York, NY (September 8 - October 29 Group exhibition)
    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Impressions Gallery in York, England.
    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Centro de la Imagen.
    • "Selections from the Permanent Collection: Mexico. Center for Creative Photography, University of Arizona, AZ, Tucson, United States."
    • "Evolution: Digital Art! Ansel Adams Gallery, Pebble Beach, CA, United States."
    1994
    1994
    Community
    • Centro de la Imagen, Press Conference and book presentation, exhibition by Francisco Mata.
    • Conference for newspapers.
    • EduMac.
    1994
    1994
    Teaching
    • Mediawork 5, Art Center, Pasadena, CA, United States.
    • Digital Story Telling Festival, Crested Butte, CO, United States.
    • Digital World 1995, Los Angeles, CA, United States.
    • Powers of Art: Symptoms, Sympathies, Systems, Change FotoKena, Cologne, Germany.
    • FotoFeis, Scotland.
    • Society for Photographic Education, National Conference. Arts Center, Pasadena, CA, United States.
    • We all have something to say. Universidad Iberoamericana, Mexico City, Mexico.
    • San Francisco, MacWorld.
    • ISDN Conference.
    1994
    1995
    Awards and Recognition
    Foto Fest 1995. The Month of Photography. Houston, TX, United States. Consultant.
    1995
    1995
    Exhibitions
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Corcoran Gallery of Art, Washington.
    • “Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      - Blaffer Gallery, University of Houston, TX (June 9 - July 30 / Group Exhibition)"
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Museum of South Texas, Corpus Christi, TX. Houston Center of Photography, Houston, TX.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” High Museum of Art, Atlanta, GA.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Foto Massan, Gothenburg, Sweden.
    • "Pulp Fact. " Photographer’s Gallery, London, England. (Group exhibition)"
    • “Digital Identities: Technologies of Meaning. Sheppard Gallery, University of Nevada, Reno, NV, United States. (Group exhibition)"
    • "FFFamily Values, New Documentary. Rotterdam, Netherlands."
    • “Bit by Bit. The Art Gallery at Hunter College, New York, NY, United States."
    1995
    1995
    Publications
    Truths and Fictions: A Journey from Documentary to Digital Photography is published. (Casa de las imágenes) Introduction by Joan Fontcuberta.
    1995
    1996
    Teaching
    • Palm Beach Photographic Museum Workshops, Fotofusion ’96 Festival of Photography, FL, United States.
    • Intermedia World, San Francisco, CA, United States.
    • 12th Graphic Design Congress Made in Latin America 100% Design.
    • Universidad de las Américas, Puebla, Mexico
    • MacWorld.
    • Palm Beach Workshops.
    • Photography and Networked Society, Dutch Electronic Art Festival (DEAF) Nederlands Institute of Photography, Rotterdam, The Netherlands.
    • About Photography in the Age of Electronic Reproduction, Arbeitskreis Digitale Fotografie (ADF). Cologne, Germany.
    • Three Caravels Heading for the New Millennium. Centro Nacional de las Artes. Mexico City, Mexico.
    • V Latin American Photography Colloquium.
    • Arts & Technology Conference.
    1996
    1996
    Community
    • Nippon Hoso Kyokai – program on the work of Pedro Meyer for Japanese television.
    • Canal de Artes – ILCE – interview with Pedro Meyer.
    1996
    1996
    Exhibitions
    • "Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age. Organized by Aperture. Traveling exhibition in the United States. - Tampa Museum of Art, Tampa, FL (February 25 - April 21, 1996). Group exhibition"
    • "March - May 26: The Butler Institute of American Art, Youngstown, OH, United States."
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” - IV Fotobienal. Vigo, Spain."
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Street Level. Glasgow, Scotland.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Aperture, Burden Gallery. New York, NY.
    • "Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age. Organized by Aperture. Traveling exhibition in the United States. Philadelphia Museum of Art, Philadelphia, PA, (June 23 - August 18, 1996). Group exhibition"
    • "Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age. Organized by Aperture. Traveling exhibition in the United States. - San Jose Museum of Art, San Jose, CA, (August 31 - November 10, 1996). Group exhibition."
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” II International Video and Electronic Arts Festival of Buenos Aires. Buenos Aires, Argentina.
    1996
    1997
    Teaching
    • The times and mistimes of photography in the digital age. II Communication Symposium. "Globalization and Development: The Role of Communication." Centro Cultural Tijuana. Baja California, Mexico.
    • The times and mistimes of photography in the digital age. II Communication Symposium. "Globalization and Development: The Role of Communication." Universidad Autónoma de Baja California. Mexicali, Baja California, Mexico.
    • MacWorld.
    • College of Communication Studies and Fine Arts, Bradley University, Peoria, IL, United States. (November)
    • Art Department, Stanford University, Stanford, CA, United States. (February)
    • Society for Photographic Education, 34th National Conference, Dallas, TX, United States.
    • Pedro Meyer on the Ground Zero Project. Society for Photographic Education, 34th National Conference, Dallas, TX, United States.
    • Clicking In: Hot Links to a Digital Culture. Museum of Contemporary Art, Los Angeles, CA, United States.
    • Truths and Fictions. Alliance Française. Quito, Ecuador.
    • Internet World Los Angeles.
    • Arts Center Round Table.
    • “Seminar on Experimental Digital Techniques for filmmakers and artists from Latin America.” Bariloche, Argentina.
    • IESPAL. Quito, Ecuador.
    1997
    1997
    Awards and Recognition
    • Receives a grant from the Mexico/US Fund for Culture for the project: “The New Americans Purepecha: people who travel” by Rubén Martínez and Jo Rodriguez.
    • Receives the California Council of the Humanities Award for the project: “The New Americans Purepecha: people who travel” by Rubén Martínez and Jo Rodriguez, created for ZoneZero.
    • Selected along with writer Rubén Martínez for the Metro Art, BookMark Project, Los Angeles. Meyer's images are presented on local buses."
    • Visiting Artist Program. University of Colorado at Boulder, CO, United States."
    • "ZoneZero wins the following awards:
      • CNET Best of the Web
      • NET Magazine – names ZoneZero one of the top 100 sites of all time, and one of the top 5 in the art category.
      • Luckman Interactive names ZoneZero a “Luckman Five-Star winner.”
      • NET Guide – gives ZoneZero five stars, naming it a Platinum category site."
    • Bradley University, Peoria, IL, United States. Guest consultant for the Andrea Frank Foundation, grants for artists.
    1997
    1997
    Exhibitions
    • Exhibition at the Centro Cultural Guadalupe, Mexico.
    • "Nash Editions Touring Show.
      Cypress College, Cypress, CA, United States. (September 9 - October 31, 1997). Group exhibition"
    • "Truths and Fictions: A Journey from Documentary to Digital Photography.” Centro Cultural Mexicano. Quito, Ecuador.
    • Photos of the Year '97 (Group exhibition).
    1997
    1998
    Teaching
    • The Masterclass: Duckspool Photographic Workshops, England. Lecture with Pablo Delano. “The frictions with time in Truths and fictions.” Photography Lecture Series 1997-1998. Trinity College, Hartford, CT.
    • Yuma Symposium.
    • Where does the art reside in, within the internet?” Public Showing: Conference. Center for Twentieth Century Studies, Univ. of Wisconsin, WI.
    • “DuPont lecture Series: 5 contemporary artists.” The Art Institute of Boston. Boston University's
    • Metcalf Center for Science and Engineering"
    • “The photographer at the technological crossroads.” Photography at the End of the Century: Situation in Spain, Universidad de Sevilla, Spain. Photoshop Orlando ‘98. Florida, United States.
    1998
    1998
    Community
    • Ciencia Hoy – Documentary on Pedro Meyer for Mexican Independent Television.
    • TV Azteca: Proyecto Milenio – Documentary on Pedro Meyer.
    1998
    1998
    Awards and Recognition
    • Open Sesame, Seeing the Light. European Portfolio Day. Juror and portfolio reviewer.
    • The Global Information Infrastructure (GII) Awards selects ZoneZero as one of the top 6 art and entertainment sites in the U.S."
    1998
    1998
    Exhibitions
    • "Truths and Fictions: A Journey from Documentary to Digital Photography.” Art Institute Boston.
    • Nash Editions Touring Show (Group exhibition). College of Fine Art, Jacksonville, FL, United States. (March 22 - May 10, 1998)."
    • “The frictions with time in Truths and Fictions.” Centro de la Imagen, Mexico City.
    • Nash Editions Touring Show (Group exhibition).
      • Bergstrom Mahler Museum, WI, United States. (May 31 - July 19, 1998).
    • Nash Editions Touring Show (Group exhibition).
      • Canton Art Institute, Canton, OH, United States. (August 9 - October 23, 1998)."
    • "Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age.
      • Organized by Aperture. Traveling exhibition in the United States."
    • The Ackland Art Museum, Chapel Hill, NC, United States. (October 26, 1997 - January 4, 1998). Group exhibition
    • “The Renaissance of Photography.” SPE Conference, Los Angeles, CA.
    • "The Body in Photography (Group exhibition). Museo Nacional de Arte, Mexico."
    • "Homage to Vincent Van Gogh (Group exhibition). Fondacío Van Gogh d’Arles, Andorra."
    1998
    1999
    Teaching
    • Spatializing History and Memory. Interactive Frictions. At the pressure point between theory and practice. University of Southern California, LA, United States. (June)
    • Digital Photography. Maryland Institute College of Art, United States.
    • “We all have something to say.” Universidad Iberoamericana, Mexico City, Mexico.
    • Digital Photography. Manchester’s Craftsman Guild, Pittsburgh, United States.
    • Digital Photography. Yuma, AZ, United States.
    • A Talk without a title. The 20th Yuma Symposium (February)
    • 2nd State Photography Meeting. Monterrey, Nuevo León, Mexico.
    • Globalization and Culture. NYU Center in Buenos Aires, Argentina.
    • Digital Photography. Diario Clarín, Buenos Aires, Argentina.
    1999
    1999
    Exhibitions
    • Nash Editions Touring Show (Group exhibition).
    • "Image and Transformation. The Metamorphoses of Tony Culver's Photographs: Photography in the Electronic Age. Organized by Aperture. Traveling exhibition in the United States. Dubuque Museum of Art, Dubuque, IA, United States. (October 1 - December 5, 1999). Group exhibition."
    1999

    2000-2009

    2000
    Exhibitions
    • “Portraits of Yesterday and Today.” Epson Gallery, Mexico City, Mexico.
    • “Photographs by Pedro Meyer.” Singer Gallery, Mizel Arts Center. Denver, CO.
    • A Sense of Style a Sense of Place: National Photography Invitational (Group Exhibition).
    • Between Worlds: Jewish Artists in Latin America (Group Exhibition).
    • "USVA Noordelicht Photogallery (Group Exhibition). Netherlands."
    • "The Alluded Body. Anatomies and Constructions, Mexico 16th-20th Centuries (Group Exhibition). National Art Museum, Mexico City, Mexico."
    2000
    2000
    Teaching
    • 2nd State Photography Encounter. Monterrey, Nuevo León, Mexico.
    • Globalization and Culture. NYU Center in Buenos Aires, Argentina.
    • Digital Photography. Diario Clarín, Buenos Aires, Argentina.
    • “Creating a New Language.” 15-day meeting (8 hours daily) of panels and discussion with international figures, The Lit Lab, Kent, England.
    2000
    2001
    Exhibitions
    • Opening various spaces: To each their own space. Photojournalism Colloquium, 4th Photojournalism Biennial. Mexico City, Mexico.
    • Digital culture and photography. Foto Guanajuato 2001 Encounter. State Institute of Culture, Guanajuato, Mexico.
    • Zone Zero: from Analog to Digital Photography. 7th International Festival of Photography, Moscow, Russia.
    • Digital Photography Workshop.” The Withernsea and Southern Holderness Media Lab.
    • The Guardian of Server Talk. London College of Printing, England.
    • “Digital Photography Workshop.” Duckspool Center of Photography, England.
    • Digital photography. Fototeca de Veracruz, Veracruz, Mexico.
    • Digital photography. Fotowest, LA, United States.
    • Ruhbard International Folio Festival, Birmingham, England. Portfolio Review.
    2001
    2001
    Exhibitions
    • “Portraits of Yesterday and Today.” Fototeca de Veracruz. Veracruz, Mexico."
    • ""Expression (Group Exhibition). Centro de la Imagen, Mexico City, Mexico."
    2001
    2002
    Exhibitions
    • Participates in “Day in a Life of Africa,” book, DVD, and exhibition. Grand Central Station, New York, United States and 30 other cities, internationally.
    • "una Flow- Media City, International Biennial (Group Exhibition). Korea Museum of Modern Art, Seoul, Korea."
    2002
    2002
    Awards
    • Interview with Pedro Meyer on VHS for the project "Cultures of Ibero-America in the 21st Century" by Ana Luz Lechuga. General Directorate of Educational Television. Production Directorate. (February).
    2002
    2002
    Teaching
    • Foto Fest 2002. The Ninth International Month of Photography. Houston. TX, United States. Portfolio Reviewer.
    • Teatro Caldero de Barco, University of San Francisco, Quito, Ecuador.
    • "Catholic University, Santiago, Chile.
    • “Photography is Dead, Long Live Photography!” Photo España, Círculo de Bellas Artes. Madrid, Spain.
    • The Limits of Photography.” National Historical Museum. Santiago, Chile.
    2002
    2003
    Exhibitions
    • "Manuel Álvarez Bravo. In the Lens of the Coyoacán Photographers (Group Exhibition). Casa de la Cultura Jesús Reyes Heroles. Mexico City, Mexico. (February 26 - March 30)."
    • "Documentary Photography 70s and 80s (Group Exhibition). Mexican Council of Photography. A.C. Mexico City, Mexico."
    • "Only Skin Deep: Changing Visions of the American Self (Group Exhibition). International Center for Photography. New York, NY, United States."
    • "Xavier Villaurrutia: The Escape of the Face (Group Exhibition). Centro de la Imagen, Mexico City, Mexico. (December-February)."
    • "The New Print Digital Evolution (Group Exhibition). Santa Fe Center for Contemporary Arts, NM, United States."
    2003
    2003
    Community
    • ""Tenth Anniversary of ZoneZero. Colloquium 10 years from analog to digital: ZoneZero. (September) Teatro de las Artes, National Center for the Arts. Mexico. Exhibition Labyrinth of Light. ZoneZero. Colloquium Image and Education. (September) Central Gallery, National Center for the Arts. Mexico."
    2003
    2003
    Teaching
    • "Which decisive moment? Colloquium 10 years from analog to digital: ZoneZero. National Center for the Arts, Mexico City, Mexico. (September)
    • “Which decisive moment?” i3 Forum Conference. Laguna Beach, California, United States.
    • i3 Forum Conference. Laguna Beach, California, United States.
    • Forum on Current Affairs and Prospects of Digital Art, Theoretical Reflection Mexico-Spain. Museo Estampa, Mexico City, Mexico. Museo del Carmen, Mexico City, Mexico.
    • Digital Photography and Cyberspace. First Southern Light Photography Encounter. Tuxtla Gutiérrez, Chiapas, Mexico.
    • Digital Photography Workshop.” Photo España, Círculo de Bellas Artes. Madrid, Spain.
    2003
    2004
    Community
    • A Database containing his entire life's work (over 450,000 images and documents) is created.
    • Coordinates Heresies, a project that includes the digitization of the Pedro Meyer photographic archive, the creation of galleries to be viewed on pedromeyer.com, and exhibitions in various museums around the world.
    2004
    2004
    Teaching
    • Truth and Fiction. Arbeitskreis Digitale Fotografie (ADF) Imaging Symposium 2004. Die helle Kammer Digitale Bildbearbeitung in der profesionellen Fotografie. Internationales Haus der Photographie Deichtorhallen. Freiburg, Germany. (November)
    • "1st International Photojournalism Congress. Pontifical Catholic University of Peru, Peru."
    • Master Class: 1978-2004: a quarter century after the 1st Latin American Photography Colloquium. Latin American Photography Forum. National Center for the Arts. Mexico City, Mexico. (June)
    • “Digital Manipulation.” ISDB Bhaban. Dhanmondi, Dhaka, Bangladesh.
    • Video-projection: I Photograph to Remember. XII Month of Photography in Xalapa. Pedro Meyer Tribute. Ramón Alva de la Canal Gallery. Veracruz, Mexico. (June)
    • Ethics in the Age of Digital Photography. 1st International Photojournalism Congress. Pontifical Catholic University of Peru. (May)
    • “Digital Photography.” Chobi Mela III. International Festival of Photography, Asia. Bangladesh.
    • “Writing with Light.” Chobi Mela III. International Festival of Photography, Asia, 2004. Drik Gallery. Dhaka, Bangladesh.
    2004
    2004
    Exhibitions
    • "A Slightly Different Beast: The Digital Print (Group Exhibition). Photography is Art Gallery. TX, United States."
    • “Pedro Meyer. Writes Photography.” Digital portraits of contemporary writers from Letras en el Golfo 2004. Casa del Acueducto del Museo de El Carmen. Mexico City, Mexico.
    2004
    2004
    Awards
    Unlimited Zone. Mexican Digital Art Encounter. Special Projects Unit. National Council for Culture and Arts, Mexico City, Mexico. Member of the selection committee.
    2004
    2005
    Teaching
    • The photographer as author. FotoRio 2005 International Photography Encounter of Rio de Janeiro. Centro Cultural Justica Federal. Rio de Janeiro. Brazil.
    • Diploma in Contemporary Photography. Autonomous Metropolitan University, Xochimilco Unit. Mexico City, Mexico.
    • Dialogues with a pioneer of the digital photographic era. Centro de la Imagen. Mexico City, Mexico.
    2005
    2005
    Exhibitions
    • “The Camera's Brush.” Siqueiros Art Room. Mexico City, Mexico."
    • “Digital Renaissance Man.” Birla Academy. Kolkata, India.
    • “Pedro Meyer or the camera's brush.” Centro Cultural do Banco do Brasil. Foto Arte 2005. Brasilia, Brazil.
    • "New Castes. Mexico in Arco ’05 Madrid, Spain (Group Exhibition). Fernando Pradilla Gallery, Madrid, Spain (January 26 - February 19)"
    • “Portraits of Yesterday and Today.” Museum of Art of Querétaro. Querétaro. Mexico.".
    2005
    2005
    Awards
    • Foto Fest 2006. The Eleventh International Biennial of Photography and Photo-Related Art. Houston. Texas, United States. Portfolio Reviewer.
    • Prince Claus Fund. Advisor to the Prince Claus Awards.
    2005
    2006
    Publications
    Truth and Reality in Photography / Prawda i rzeczywistość w fotografii / The Real and the True: The Digital Photography of Pedro Meyer, (2006, New Riders.) is published.
    2006
    2006
    Teaching
    Heresy (the transformation of a dead archive into a living one). XIV Colloquium of the Seminar on Study and Conservation of Cultural Heritage. Photography: image and matter. Auditorium of the Santo Domingo Cultural Center. Oaxaca, Mexico.
    2006
    2006
    Community
    • Prince Claus Fund. Advisor to the Prince Claus Awards.
    • Foto Fest 2006. The Eleventh International Biennial of Photography and Photo-Related Art. Houston. Texas, United States. Portfolio Reviewer.
    2006
    2006
    Exhibitions
    • "ABCDF Portraits of Mexico City (Group Exhibition). Queens Museum of Art, New York, NY, United States. (March 12 - September 17)
    • "Pedro Meyer “Meyer Returns to Madrid.” Fernando Pradilla Gallery. Madrid, Spain.
    • “Pedro Meyer.” China Pingyao International Photography Festival. Pingyao, China.
    • "20th anniversary of the Fototeca de Cuba (Group Exhibition). Havana, Cuba".
    2006
    2006
    Awards
    Visiting Professor at Shandog University of Art and Design. (September)
    2006
    2007
    Teaching
    • “If you liked documentary work, you are going to love digital images.” Shifts Archives in dialogue and new identities in documentarism. Changing Faces, Culture 2000, 2nd Conference. International Photography Research Network. University of Jyväsklä. Finland.
    • First Latin American Photography Forum of Sao Paulo. Sao Paulo, Brazil. October 2007.
    • Trágameluz 2007. Sixth Photographic Exhibition. San Cristobal, Chiapas, Mexico. (August)
    • Perspectives Forum. Photography and Diversity in Latin America. Panel: Networks and Dialogues. Auditorium of the José Vasconcelos Mexico Library. Centro de la Imagen, Mexico City, Mexico. (September).
    • The Democratic Image Photography and Globalisation. Look 07. Symposium The Democratic Image Photography and Globalisation. Red Eye. Mechanics Centre, Manchester, England. (April).
    2007
    2007
    Community
    "Founder and president of the Pedro Meyer Foundation, to contribute to the reflection, interpretation, and research of photographic images and new technologies."
    2007
    2007
    Exhibitions
    • An Eclectic Eye: Selections from the Dan Leach Collection (Group Exhibition). Tucson Museum of Art. Tucson, AZ, United States. (September 2007 - January 2008).
    • Revelation, Revolt and Fiction. Made in Latin America (Group Exhibition). Centro de la Imagen, Mexico City, Mexico. Fotoseptiembre. (September-December)
    • "The Gaze of 45 Mexican Photographers. Curated by Pedro Meyer and Francisco Mata at the Guangdong Museum of Art, China."
    2007
    2008
    Exhibitions
    • “Heresies, a Pedro Meyer retrospective” -Art Museum of the Americas. Washington, D.C. -Centro Cultural Muros. Cuernavaca, Morelos, Mexico. -Escuela Activa de Fotografía. Cuernavaca, Morelos. -Centro Italiano della Fotografia d'Autore. Bibbiena, Arezzo, Italy. -Foto & Photo. Cesano Maderno, Milan, Italy.
    • Heresies, a Pedro Meyer retrospective” -The Perth Centre for Photography. Perth, Australia. -Australian Centre for Photography. Sydney, Australia. -Complesso Museale di San Francesco. Montefalco, Umbria, Italy. -Museu d'Art Contemporani d'Elx. Elche, Alicante, Spain. -Galería Fernando Pradilla. Madrid, Spain. -Centro de Documentación de la Imagen de Santander (CDIS), Ayuntamiento de Santander, Sala Ángel de la Hoz. Santander, Cantabria, Spain. -Centro de Arte y Naturaleza. Huesca, Aragón, Spain. -Central European House of Photography. Bratislava, Slovakia. -Museum of Modern & Contemporary Art. Rijeka, Primorje-Gorski Kotar, Croatia. -National Museum of Singapore. Singapore. -Peace Niche at T2F. Karachi, Sindh, Pakistan. -Tasveer Galleries. Delhi, India. -Tasveer Galleries. Bangalore, India. -Tasveer Galleries. Mumbai, India. -Tasveer Galleries. Kolkata, India. -National Art Museum of China. Beijing, China. -Drik Gallery II. Dhaka, Bangladesh. -Centro Municipal de Fotografía. Montevideo, Uruguay. -Sistema Nacional de Fototecas. Fototeca Nacional Del INAH. Pachuca, Hidalgo, Mexico. -Museo de la Ciudad de Querétaro. Querétaro, Mexico. -Museo de Arte de Mazatlán. Mazatlán, Sinaloa, Mexico. -Museo de Arte Contemporáneo de Tamaulipas. Matamoros, Tamaulipas, Mexico. -Museo de Arte Contemporáneo. Alfredo Zalce. Morelia, Michoacán, Mexico. -Museo Archivo de la Fotografía. Mexico City, Mexico. -La Caja, Museo de Arte Contemporáneo. Museo de Arte Carrillo Gil. Mexico City, Mexico. -Fototeca del Centro de las Artes. Monterrey, Nuevo León, Mexico. -Fábrica de Imágenes. Morelia, Michoacán, Mexico. -Escuela Activa de Fotografía. Mexico City, Mexico. -Dirección de Difusión Cultural de la Universidad Autónoma del Estado de Morelos. Cuernavaca, Morelos, Mexico. -Centro Integral de Fotografía. Puebla, Puebla, Mexico. -Centro Fotográfico Manuel Álvarez Bravo. Oaxaca, Mexico. -Centro Educativo y Cultural del Estado de Querétaro. Manuel Gómez Morín. Querétaro, Mexico. -Centro de la Imagen. Mexico City, Mexico. -Centro Cultural Jardín Borda. Instituto de Cultura de Morelos. Cuernavaca, Morelos, Mexico. -Casa Escorza Espacio para la Imagen. Guadalajara, Jalisco, Mexico. -Ayuntamiento de Cuernavaca. Cuernavaca, Morelos, Mexico. -Southeast Museum of Photography. Daytona Beach, FL. -Scottsdale Museum of Contemporary Art. Scottsdale, AZ. -Queens Museum of Art. Queens, NY. -National Museum of Mexican Art. Chicago, IL. -Lehigh University Art Galleries. Bethlehem, PA. -George Eastman House. Rochester, NY. -El Museo del Barrio. New York, NY. -California Museum of Photography. Riverside, CA. -Casa de las Américas. Havana, Cuba. -Museo de Arte Moderno de Medellín. Medellín, Antioquia, Colombia. -Museo Arqueológico de La Serena. La Serena, Elqui, Chile. -Centro Cultural, Palacio La Moneda. Santiago, Chile. -Museu de Arte Contemporânea da Universidade de São Paulo. São Paulo, Brazil. -Espaço Cultural Contemporâneo. Brasilia, Brazil.
    • “Heresies, a Pedro Meyer retrospective” -Guangdong Museum of Art. Guangdong, China. -Fototeca de Veracruz. Juan Malpica Mimendi. Veracruz, Veracruz, Mexico.
    • “Heresies, a Pedro Meyer retrospective” 2: Museo de Arte de Zapopan (MAZ) Akron Art Museum. Akron, OH.
    2008
    2008
    Publications
    Heresies (Pedro Meyer Foundation and Lunwerg Editores, 2008) is published.
    2008
    2008
    Teaching
    • 4th Colloquium of Critical Studies. Helénico Cultural Center. Institute of Critical Studies. Mexico City, Mexico. (January).
    • “Photography in the age of the internet. New channels of circulation and communication” at the Centro de la Imagen. Mexico City, Mexico.
    • Reflections on digital photography. Inter-media. Centro de la Imagen. Mexico City, Mexico. (October).
    • Traveling exhibitions in more than 60 countries of the Heresies project
    • Tribute to Ernesto Cardenal. Museum of Anthropology of Xalapa.
    • Image of Images Forum. Photography and editing in the conference "Editing and Media. Present and future." as part of the International Artist Book Fair and Fotoseptiembre. Centro de la Imagen. Mexico City, Mexico.
    2008
    2008
    Community
    Heresies on the Radio. Pedro Meyer and Rogelio Villarreal interviewed at the International Book Fair. The interview was broadcast on the program «Como en Feria», organized by the University of Guadalajara.
    2008
    2008
    Teaching
    • X Digital Art Salon in Havana, Cuba. Conference «The future of the book» during the X Digital Art Salon Colloquium. Havana, Cuba. (November)
    • Image of Images Forum. Photography and editing in the conference «Editing and Media. Present and future.» as part of the International Artist Book Fair and Fotoseptiembre. Centro de la Imagen. Mexico City, Mexico. (September)
    • Heretical Musings. Akron Art Museum. Ohio, United States (January)
    • "Contemporary Photography Seminar 2009.
      Teaching the workshop “Photography in the age of the internet. New channels of circulation and communication” at the Centro de la Imagen. Mexico City, Mexico"
    • Digital Photography.» Anghiari, Italy 2010 (December 3).
    • “Recent Photographs.” At the Hispanic-American Cultural Center. Havana, Cuba.
      X Digital Art Salon in Havana, Cuba."
    • Conference "The future of the book" during the X Digital Art Salon Colloquium. Havana, Cuba.
    2008
    2009
    Exhibitions
    • "Heresies, a Pedro Meyer retrospective.” -Natural History Museum of Concepción. Concepción, Chile. -Regional Museum of Araucanía. Temuco, Cautín, Chile. -Regional Museum of Magallanes Braun Menéndez Palace. Punta Arenas, Magallanes, Chile. “Heretical Musings.” -Akron Art Museum, OH."
    • “20 Ibero-American artists / person with a soul.” Fache Arts + Amy Alonso Gallery, Museum of Contemporary Art Plaza, North Miami. (Group exhibition).
    • "100 Contemporary Photographers in Mexico II. Cuartel del Arte. Pachuca, Hidalgo, Mexico. (October-November 2009 - Group exhibition)."
    2009
    2009
    Community
    • HERESIES. Radio Trece. Interview by Javier Solorzano. October 3, 2008. Mexico City, Mexico.
    • THE FLAVOR OF KNOWLEDGE. Channel 40. Interview by Martha Chapa and Alejandro Ordorica.
    • Program «Thinking Mexico» on Mexican photography. Channel: Proyecto 40. Hosted by Andrés Roemer.
    • Program «Between the public and the private». Channel: Proyecto 40. Hosted by Fernanda Tapia and Andrés Roemer.
    • International Artist Book Fair at the Library of Mexico. Organized by the Centro de la Imagen for Fotoseptiembre 2009. Mexico City, Mexico. Juror.
    2009

    2010-2019

    2010
    Teaching
    • "Digital Photography." Anghiari, Italy 2010 (December 3).
    • "Photography and Literature" Presented by Pedro Meyer and Martín Solares. Pedro Meyer Foundation. Mexico City, Mexico.
    • Art and the Internet. Pedro Meyer participated in a panel discussion as part of the Athens Photo Festival 2010 activities. (November 24).
    • "A Kangaroo Named Huachinango." Lecture delivered at the "Mayo Fotográfico" festival in the Ágora de la Ciudad auditorium, an event organized by the Universidad Veracruzana and the Faculty of Plastic Arts. Lecture delivered at SIF Mazatlán. (October 30).
    • The Photographic Image in the 21st Century." as part of the exhibition "Heresies" to be shown at the Metropolitan Cultural Center in Quito, Ecuador. (July 13).
    • "A Kangaroo Named Huachinango." Lecture delivered at the "Mayo Fotográfico" festival in the Ágora de la Ciudad auditorium, an event organized by the Universidad Veracruzana and the Faculty of Plastic Arts (May 13).
    2010
    2010
    Awards
    Receives the Medal for Photographic Merit. XI National Meeting of Phototecas. Pachuca Hidalgo, Mexico. (October)
    2010
    2010
    Community
    • Radio interview on the program "La Tertulia." Radio Municipal. Quito, Ecuador.
    • Interview on the television program "Palabra Suelta." Channel: Public Television of Ecuador TV. Hosted by Xavier Lasso.
    2010
    2010
    Exhibitions
    • "Exhibition "Mexican Worlds: 25 Contemporary Photographers." Palace of Fine Arts (BOZAR). Brussels, Belgium."
    • "Heresies, a Retrospective of Pedro Meyer." Brownsville Museum of Fine Art. Brownsville, TX.
    • Heresies, a Retrospective of Pedro Meyer." exhibited at the Metropolitan Cultural Center in Quito. (July 8 - August 8)
    • "Exile, Art and Discourse: European Artists in Mexico." exhibited at the Museum of Memory and Tolerance.
    • "A long and personal trip throughout the USA" at the Hellenic American Union Gallery.
    • "Variations on Human Mobility" (Collective Exhibition). Alameda Central. Mexico City."
    2010
    2011
    Teaching
    • "Digital Applications in Contemporary Photography." Chobi Mela VI Festival, Bangladesh.
    • "And I'm Still the King..." El Museo Gallery and Espacio 2. Bogotá, Colombia."
    • "Ideas for the End of the World." Pedro Meyer Foundation, Mexico.
    2011
    2011
    Awards
    • Lifetime Achievement Award. Chobi Mela VI International Photography Festival, Bangladesh. (January)
    • Merit for Career Trajectory. Chobi Mela VI International Photography Festival, Bangladesh. (January)
    • Sony World Photography Awards. London, England. Juror.
    2011
    2011
    Exhibitions
    • "Fotográfica Bogotá 2011. Testimony and Vision (Collective Exhibition). Bogotá, Colombia."
    • "Regarding Death (Collective Exhibition)
      Casa de la Primera Imprenta Gallery. Mexico City, Mexico."
    2011
    2011
    Publications
    A Kind of Touching Beauty (Seagull Books, 2011) published, text by Jean-Paul Sartre.
    2011
    2012
    Teaching
    • Think and Build. TEDx, Historic Center, Mexico (December).
    • 6th Ceiba Cultural Festival. Talk with Pedro Meyer. Carlos Pellicer Regional Museum of Anthropology. Villahermosa, Tabasco. Mexico (October).
    • Pedro Meyer's participation in World Press Photo. Netherlands (March).
    • Welcome Lady Crisis. Pedro Meyer Foundation. Mexico City, Mexico
    • Colloquium "Reflections on the Ephemeral and Permanent Nature of the Digital Image." UAM Cuajimalpa. Mexico (October).
    • II International Meeting of Photography Centers: Future Present. The Image in the 21st Century. Pedro Meyer's Dialogue Table. Fotoseptiembre. Cultural Center Tlatelolco. Mexico City (September).
    2012
    2012
    Exhibitions
    "The Bathroom. Everyday Stories about the Public and Private (Collective Exhibition) Photography Archive Museum (MAF). Mexico City, Mexico. "
    2012
    2013
    Teaching
    • Master Class: First Photography Meeting of the Central-Western Region. Master Conference. Morelia, Mexico (September).
    • Latin American Photography Forum. Much Beyond the Click, the Representation of the Future. Sao Paulo, Brazil (October).
    • Digital Photography. Santiago, Chile (August).
    • How to Educate Today for the Photography of the Future. Campus of the Pontifical Catholic University of Chile. Santiago, Chile. Portfolio Reviewer.
    2013
    2014
    Community
    • "Inaugurates FotoMuseo Cuatro Caminos, a venue whose objective was to be a breeding ground for new proposals and reflections in the field of contemporary photography. The space was established as an exhibition and educational center, the largest in its category, immersed in the cultural axis of the north of the city."
    • Interview with Magis Iteso magazine
    2014
    2014
    Awards
    Lucie Award recipient of the distinguished Visionary Award. (February).
    2014
    2014
    Exhibitions
    • Sex, Drugs & Rock and Roll. Art and Mass Culture in Mexico, 1963-1971 (Collective Exhibition) University Museum of El Chopo, Mexico City (March-June)
    • "Mutant Cities: Latin American Photography 1944-2013 (Collective Exhibition) International Center of Photography, New York, United States (May-September)"
    2014
    2014
    Teaching
    • Casa de Francia Cultural Center. Café de las Imágenes: Dialogue with Pedro Meyer / The New Tropes of Latin American Photography. Mexico City (February).
    • Diploma in Photojournalism and New Media. Foto Museo Casa Coyoacán of The Pedro Meyer Foundation. Mexico City.
    • Pedro, along with other photographers, spoke at the Museum Night hosted by The Pedro Meyer Foundation, about new audiovisual formats.
    2014
    2015
    Community
    • "Following Tibol's death, articles about her appeared in the Universal and Excélsior newspapers, using the photo Pedro took of her in 1997."
    • His photos appear in the second edition of "The Photo Book" by Phaidon.
    2015
    2015
    Teaching
    • Press conference to announce the opening of Foto Museo Cuatro Caminos. Exhibitions "Todo por Ver" and "El estado de las cosas" inaugurated. Mexico City (September).
    • Seeing the Future from a Drone. Montevideo, Uruguay (November).
    2015
    2015
    Personal Projects
    Filming for a documentary about Metinides.
    2015
    2016
    Awards
    Receives tribute at the National Polytechnic Institute (IPN) (October).
    2016
    2016
    Awards
    The Perfection of Disaster (Secretaría de Cultura, Círculo de Arte collection, 2016) published
    2016
    2016
    Teaching
    • Conference on digital photography, within the framework and closing activities of the II Photography Week organized by the University Center of Art, Architecture and Design of the University of Guadalajara. Guadalajara, Jalisco (September).
    • Master conference during the Seventh Argentine Photography Biennial
    • Documentary. San Miguel de Tucumán, Argentina (October).
    • The Possibilities of Portraiture. Master Workshop. FotoMuseo Cuatro Caminos. Mexico. (October)
    • "From the Still Photo" at Encuentro Fotográfico Querétaro (ENFOQUE) 2018. Mexico (February)
    • Master conference at the UG. Participation with photographers Bruno Bresani and Daniel Arroniz. Guanajuato (September)
    • Receives tribute at the National Polytechnic Institute (IPN) (October)
    2016
    2017
    Exhibitions
    • March - August "Somoza Destroyed" in "Monuments, Anti-Monuments and New Public Sculpture" at the Museum of Art of Zapopan, Mexico.
    • April 6 - June 18 Loan of several documents from the Pedro Meyer Archive for the exhibition "Plural Documents: Brazilian Participation in Contemporary Latin American Photography Exhibitions (1978-1981)" for the Centro de la Imagen, Mexico.
    • May 17 - September 17 photographs of the 1985 earthquake for the exhibition "Down and to the Left: Reflections on Mexico in the NAFTA Era," The Armory Center for the Arts, California, USA.
    • October - January 2018 "Monuments, Anti-Monuments and New Public Sculpture" with the work "Somoza Destroyed," Managua, Nicaragua, 1978 at the University Museum of El Chopo.
    • Photographs of Avándaro, 1985 Earthquake, and Los Angeles for the exhibition "50 Years of Pop Culture" at Foto Museo Cuatro Caminos, Mexico.
    2017
    2017
    Teaching
    From 40 Years to 20 Seconds. Latin American Photography Colloquium at Museo Cuatro Caminos. Mexico (September).
    2017
    2018
    Community
    • Interview with Pedro Meyer on Once Noticias. Channel 11, by Javier Solórzano.
    • Visionarios Cultura Fotográfica, a documentary series that details the work and extraordinary talent of 12 internationally successful Mexican photographers, a chapter dedicated to Pedro Meyer's career, directed and presented by photographer Cesar Vera.
    • Photographs of the 1968 student movement for TV UNAM capsules, Mexico.
    • Collaboration of three photos for the documentary "Witkin and Witkin" by director Trisha Ziff, Mexico.
    • Illustration for the UNAM 2018-2019 School Agenda, collective
    2018
    2018
    Teaching
    Conference as part of the exhibition "From the Still Photo" at Encuentro Fotográfico Querétaro (ENFOQUE) 2018. Mexico (February).
    2018
    2018
    Exhibitions
    • Collective exhibition "Photographic Cocktail" AP Gallery of the Faculty of Plastic Arts of the Universidad Veracruzana (UV)
    • "February 16 - April 1, "From the Still Photo" Museum of Art of Querétaro MAQRO, solo exhibition, QRO, Mexico."
    • BODIES IN RESISTANCE, commemoration of the 50th anniversary of the 1968 student movement, University Cultural Center Tlatelolco, Collective Exhibition.
    • Autobiographical collaboration for "Foto Monumental" Monumental Callao, Peru, Collective Exhibition
    2018
    2018
    Awards
    Jalisco Journalism Award 2018. Photojournalism Category. Mexico. Juror.
    2018
    2019
    Exhibitions
    • Collective exhibition "Photos in Books, Photo Books." From the Mexican Council of Photography to the Centro de la Imagen.
    • Collective exhibition "Lu' Biaani: Francisco Toledo and Photography" Cabañas Museum, in Guadalajara (Mexico)
    2019

    2020-present

    2020
    Teaching
    "Tuesday Workshop. Foto Museo Casa Coyoacán of The Pedro Meyer Foundation. Mexico City."
    2020
    2020
    Community
    • Interview with Pedro Meyer on Once Noticias. Canal 11, by Javier Solórzano.
    • Interview with Pedro Meyer on the Aprender a envejecer program. Canal 11. Hosted by Patricia Kelly.
    • 2020-present Autobiographical editorial project Colección Miramar begins
    2020
    2021
    Community
    • "Stories of the Pandemic" Chapter 16: Darío Fritz and Pedro Meyer. ItinerarioTv. Canal 11
    2021
    2022
    Teaching
    Amérique latine transrégionale/ Dialogues. Paris, France (April).
    2022
    2022
    Exhibitions
    Collective exhibition Chicano/a Art, Movimiento y Más en Austen, Tejas 1960s to 1980s, Mexic Arte Museum, Austin Texas (April).
    2022
    2023
    Teaching
    • Expo Photo Master Class 2023. Mexico City (March).
    • These halcyon days of artificial intelligence, Colloquia on the futures of the book, Mexico (September)
    2023
    2023
    Exhibitions
    • Collective exhibition "Mexichrome. Photography and color in Mexico" at Bellas Artes, Cdmx.
    • Collective exhibition "La Niña Blanca. Santa Muerte en Tepito" (from October 21 to November 26) at the José María Velasco Gallery, Colonia Morelos, Cdmx.
    2023
    2024
    Exhibitions
    • Individual exhibition “Colonia Ajusco” (January) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Del Aquí al más allá” (February) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Yuma” (April) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Cuba” (June) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Fotografío para recordar” (August) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Ixtlilco el Grande” (September) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Durante el 68” (October) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Faubourg Ajusco” (October 19 to December 7, 2024) at LODO Gallery, Paris, France.
    2024
    2025
    Exhibitions
    • Individual exhibition “Un Ecuador” (January 3 to February 28) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Los Cohetes duraron todo el dia II” (March 20 to April 18) at Casa Coyoacán
      • galería, CDMX
    • Individual exhibition “Las Truchas, Lázaro Cárdenas” (May 8 to June 6) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Virgilio” (June 26 to July 25) at Casa Coyoacán gallery, CDMX
    • Individual exhibition “Algortimos” (August 14 to September 12) at Galeria Pedro Meyer, CDMX
    2025

    1950-1959

    1957
    Acknowledgments
    Participation, awards, and recognitions of the Photographic Club of Mexico, which he joined in 1957
    1957
    1957
    Acknowledgments
    CATEGORY "C"
    THEME: Abstract and Modernist
    THIRD PLACE
    1957
    1959
    1959
    1959
    Acknowledgments
    CATEGORY "C"
    THEME: Still life
    THIRD PLACE
    1959
    1959
    Acknowledgments
    CATEGORY "Black and white"
    THEME: Free
    SECOND PLACE
    1959

    1950-1959

    1957
    Acknowledgments
    Participation, awards, and recognitions of the Photographic Club of Mexico, which he joined in 1957
    1957
    1957
    Acknowledgments
    CATEGORY "C"
    THEME: Abstract and Modernist
    THIRD PLACE
    1957
    1959
    1959
    1959
    Acknowledgments
    CATEGORY "C"
    THEME: Still life
    THIRD PLACE
    1959
    1959
    Acknowledgments
    CATEGORY "Black and white"
    THEME: Free
    SECOND PLACE
    1959

    Acknowledgments

    1963-1964

    • Over the course of a year, he created the photographic essay of the Bosque de Chapultepec. Also one of the first audiovisuals of its time, widely viewed: “Chromatic Impressions of Chapultepec.”

    1976

    • “Receives mention in the exhibition Nuevos Valores 1976. Salón de la Plástica Mexicana, México D.F. Mexico.”

    1978

    • Presides over the jury of the First Latin American Photography Exhibition: «Hecho en Latinoamérica,» during the First Latin American Colloquium of Photography at the Museo de Arte Moderno de la Ciudad de México, México D.F., Mexico

    1979

    • First International Photography Contest: The Child and the Structure.
      Caracas Festival, Caracas, Venezuela. Jury.

    1980

    • Receives mention in the exhibition Nuevos Valores 1976. Salón de la Plástica Mexicana, México D.F. Mexico.

    1982

    • First National Meeting of Contemporary Photography of Ecuador, Quito, Ecuador. Jury.
    • W. Eugene Smith Foundation, New York, NY, United States. Consultant.
    • “Invited for the Cuban Photography Award, in Havana, Cuba.”

    1983

    • Photographic contest of the Casa de la Cultura in Juchitán, Oaxaca, Mexico. Jury.
    • 10-minute program about his photographic work is filmed by Canal 13- Televisión Mexicana.
    • West German Television films a 30-minute program about the work of Pedro Meyer.

    1984

    • Foto Fest 1984. The Month of Photography. Houston. TX, United States. Consultant.
    • First Havana Art Biennial, Cuba. Jury.
    • Receives award at the III Biennial of Photography of Mexico.

    1985

    • The Friends of Photography’s Peer Awards in Creative Photography. United States.
    • W. Eugene Smith Fund. New York, NY, United States. Jury.
    • Member of the committee to select the winners of the First Annual Awards of the International Center of Photography. New York, NY, United States.
    • Acquisition prize at the First National Photography Colloquium. Pachuca Hidalgo, Mexico.
    • Receives the «Premio Internazionale di Cultura Citta di Anghiari» in Italy.

    1987

    • Receives a grant from the John Simon Guggenheim Fellowship. United States.
      Essay awarded in the 4th International Art Competition. Images of Work.
    • Employment or lack thereof. PREALC. International Labour Organization, ILO, Santiago de Chile, Chile.

    1989

    • Leopold Godowsky Jr. Color Photography Awards, United States.

    1990

    • World Press Photo Awards, Amsterdam, Holland. Jury.

    1992

    • I Photograph to Remember – Hispanic Month on KCET, Public Television, Los Angeles. CA, United States.
    • City View- Mexican’s in LA feature on Pedro Meyer. KABC TV Los Angeles, CA, United States.

    1993

    • JS. Guggenheim Memorial Foundation. NY, United States. Consultant.

    1995

    • Foto Fest 1995. The Month of Photography. Houston. TX, United States. Consultant.

    1996

    • Nippon Hoso Kyokai – program about the work of Pedro Meyer for Japanese television
    • Canal de Artes –ILCE – interview with Pedro Meyer.

    1997

    • Receives a grant from the Trust for Culture and Arts Mexico/US for the Project: “The New Americans Purepecha: people who travel” by Rubén Martínez and Jo Rodriguez.
    • Receives the California Council of the Humanities Award, for the Project: “The New Americans Purepecha: people who travel” by Rubén Martínez and Jo Rodriguez, created for ZoneZero.
    • Selected along with writer Rubén Martínez for the Metro Art, BookMark Project, Los Angeles. Meyer’s images are presented on area buses.”
    • Visiting Artist Program. University of Colorado at Boulder. CO, United States.
    • “ZoneZero wins the following awards:
      • CNET Best of the Web
      • NET Magazine – names ZoneZero one of the best 100 sites of all time, and one of the best 5 in the art category.
      • Luckman Interactive names ZoneZero a “Luckman Five-Star winner.”
      • NET Guide- gives ZoneZero five stars, naming it a Platinum site.”
      • Bradley University, Peoria, IL, United States. Consultant invited by Andrea Frank Foundation, grants for artists.

    1998

    • Open Sesame, Seeing the Light. European Portfolio Day. Jury and portfolio reviewer.”
    • The Global Information Infrastructure (GII) Awards selects ZoneZero as one of the best 6 art and entertainment sites in the U.S.”

    2002

    • Interview with Pedro Meyer on VHS for the project Las Culturas de Iberoamérica en el siglo XXI by Ana Luz Lechuga. General Directorate of Educational Television. Production direction. (February).

    2004

    • Zona Ilimitada. Mexican digital art meeting. Special Projects Unit. National Council for Culture and the Arts, Mexico, D.F. Member of the selection committee.

    2006

    • Foto Fest 2006. The Eleventh International Biennial of Photography and Photo-Related Art. Houston. Texas United States. Portfolio reviewer.
    • Prince Claus Fund. Advisor to the Prince Claus Awards.
    • Visiting Professor at Shandog University of Art and Design. (September)

    2007

    • Receives Retina 2007 recognition. Second Photographic Meeting at Tecnológico de Monterrey, Distrito Federal. Mexico. (September)

    2010

    • Receives the Medal of Photographic Merit. XI National Meeting of Phototheques. Pachuca Hidalgo, Mexico. (October)

    2011

    • Life Time Achievement Award. Chobi Mela VI International Photography Festival, Bangladesh. (January)
    • Merit for career. Chobi Mela VI International Photography Festival, Bangladesh. (January)
    • Sony World Photography Awards. London, England. Jury.

    2014

    • Lucie Award recipient of the distinguished Visionary Award. (February).

    2016

    • Receives tribute at the National Polytechnic Institute (IPN) (October).

    2018

    • Jalisco Journalism Award 2018. Photojournalism Category. Mexico. Jury.

    Publications

    1985

    • Tiempos de América is published (Italy, 1985)

    1986

    • Espejo de Espinas is published (Fondo de Cultura Económica, 1986). Foreword by Carlos Monsiváis.

    1988

    • Los cohetes duraron todo el día. (Pemex, 1988) edited by Pablo Ortiz Monasterio is published.

    1995

    • Verdades y ficciones. Un viaje de la fotografía digital a la documental is published. (Casa de las imágenes) Introduction by Joan Fontcuberta.

    2006

    • Verdad y realidad en la fotografía / Prawda i rzeczywistość w fotografii / The Real and the True: The Digital Photography of Pedro Meyer is published, (2006, New Riders.)

    2008

    • Herejías is published (Fundación Pedro Meyer y Lunwerg Editores, 2008).

    2011

    • A Kind of Touching Beauty is published (Seagull Books, 2011), Text by Jean-Paul Sartre.

    2016

    • La perfección del desastre is published (Secretaría de Cultura, colección Círculo de Arte, 2016)

    Exhibitions

    1963-1964

    • Over the course of a year, he carries out a photographic essay on the Chapultepec Forest. He also produces one of the first audiovisuals of its time to be widely seen: “Impresiones Cromáticas de Chapultepec” (Chromatic Impressions of Chapultepec).

    1966

    • The Chapultepec audiovisual is presented by Leitz at the International Photographic Fair in New York; he receives his first financial reward for personal photographic work (his first SLR camera with all its lenses).
    • He is invited by Leitz to exhibit his work at the International Photographic Fair in New York, United States.

    1973

    • He holds his first solo retrospective exhibition (20 years), “Retrospectiva Fotográfica de Pedro Meyer,” at the Nabor Carrillo Gallery in the Mexican-North American Institute of Cultural Relations. Following the exhibition, a catalog is published with an introduction written by Carlos Monsiváis.

    1985

    • Exhibits “Tiempos de América” at the Premio Internazionale di Cultura Citta di Anghiari at the Palazzo Pretorio (April to May). The same exhibition is presented at the Studio Ricerca Aperta in Naples, Italy (April to October).
    • “Lección de ojos. Muestra fotográfica de 6 artistas” is exhibited at the José Guadalupe Posada Gallery in Mexico City.

    1986

    • “Pedro Meyer” is exhibited at Planket ‘86, Sweden.
    • “Pedro Meyer, Photographe Mexicain.” Douchy-Les-Mines, Hotel de Ville, Centre Regional de la Photographie Nord-Pas de Calais, France.
    • “Tiempos de América.” Sasso di Castalda – Edificio Scolastico, Comune di Sasso di Castalda. Potenza, Italy.
    • “Los Otros y Nosotros.” Museum of Modern Art. Mexico City, Mexico.
    • “Pedro Meyer: Photographs.” University Art Gallery. New Mexico, United States.

    1987

    • “Contemporary Latin American Photographers
      Society for Photographic Education, San Diego, CA, United States. (March-April 1987) Group exhibition”
    • “Contemporary Latin American Photographers
      – Burden Gallery, New York, NY, United States. (June 4- July 25, 1987)”
    • “Contemporary Latin American Photographers-
      Los Angeles Art Association Gallery, Los Angeles, CA, United States. (September- October 1987) Group exhibition.”
    • “Pedro Meyer. Photographs of Latin America.” San Francisco Museum of Modern Art. San Francisco, CA.

    1988

    • – Photo Days Festival, Buenos Aires, Argentina (July 18-August 15, 1988) Group exhibition.
    • Contemporary Mexican Photography. (October- November) Gallery 44 Centre for Contemporary Photography, Toronto, Canada.
    • The Photography Gallery, Harbour Front, York Quay Center, Toronto, Canada. (Group exhibition)
      “Contemporary Latin American Photographers.
      Denver Art Museum, Denver, CO, United States. (October 29- December 31, 1988) Group exhibition.”
    • “Imagen de México.
      – Schim Kunsthalle, Frankfurt am Rˆmerberg, Germany. (Group exhibition)
      – Art Gallery of the Exhibition Palace, Vienna, Austria. (Group exhibition)
      – Museum of Modern Art, Dallas, TX, United States. (Group exhibitions)”

    1989

    • “Pedro Meyer” is currently being exhibited at the Visions Gallery (from September to November).
    • “Museo de Arte Moderno, 25 Años, 1964-1989.
      Museum of Modern Art, Mexico City, Mexico. Group exhibition.”
    • “La Memoria del Tiempo: 150 años de Fotografía Mexicana.
      Museum of Modern Art, Mexico City, Mexico. Group exhibition”
    • “Ten years After.
      The Yuma Symposium, Yuma, AZ, United States. Group exhibition.”

    1990

    • “Between Worlds – Contemporary Mexican Photography. – Group exhibition
      Other Images: Other Realities Mexican Photography Since 1930. Group exhibition.”
    • What’s New: Mexico City. Group exhibition.
    • “Imágenes del silencio. Fotografía de América Latina y el Caribe de los Ochenta.
      Museum of Modern Art of Latin America. Organization of American States. Group exhibition.”

    1991

    • Selections from the History of Mexican Photography.
      Cavin Morris Gallery, New York, United States.
    • Imágenes del silencio. Fotografía de América Latina y el Caribe de los Ochenta.
      Museum of Modern Art of Latin America. Organization of American States. Group exhibition.

    1992

    • “Pedro Meyer’s Work,” Museum of Contemporary Arts, MOCA, Los Angeles, CA.
    • Breaking Barriers: Revisualizing the Urban Landscape.
      Santa Monica Museum of Art, CA, United States.
    • Contemporary Mexican Photography.
      Museum of Fine Arts, Houston, United States.

    1991-1993

    • Between Worlds – Contemporary Mexican Photography. – Group exhibition.
    • Other Images: Other Realities Mexican Photography Since 1930. Group exhibition.
    • What’s New: Mexico City. Group exhibition.

    1993

    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the California Museum of Photography, Riverside, CA.
    • Exhibits “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Alejandro Otero Museum of Visual Arts in Caracas, Venezuela.
    • Montage 1993.
      – Rochester, New York, United States.
      – Addison Gallery of American Art, Andover, MA, United States.

    1994

    • New Media Expo in LA. “Mexico Through Foreign Eyes,” Armand Hammer Museum, Los Angeles, CA.
    • National Museum of Photography,
      Film and Television. Bradford, Yorkshire, UK
    • Fashion Institute of Technology, New York, NY (September 8-October 29 Group exhibition)
    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Impressions Gallery in York, England.
    • Opening of “Truths and Fictions: A Journey from Documentary to Digital Photography” at the Centro de la Imagen.
    • Selections from the Permanent Collection: Mexico.
      Center for Creative Photography, University of Arizona, AZ, Tucson, United States.
    • Evolution: Digital Art! Ansel Adams Gallery, Pebble Beach, CA, United States.

    1995

    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Corcoran Gallery of Art in Washington.
    • “Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      – Blaffer Gallery, University of Houston, TX (June 9- July 30 / Group Exhibition)”
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Museum of South Texas. Corpus Christi, TX. Houston Center of Photography. Houston, TX.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” High Museum of Art. Atlanta, GA.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Foto Massan. Gothenburg, Sweden.
    • “Pulp Fact.
      Photographer’s Gallery, London, England. (Group exhibition)
    • “Digital Identities: Technologies of Meaning.
      Sheppard Gallery, University of Nevada, Reno, NV, United States. (Group exhibition)”
    • “Family Values, New Documentary.
      Rotterdam, Netherlands.”
    • “Bit by Bit.
      The Art Gallery at Hunter College, New York, NY. United States.”

    1996

    • “Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      – Tampa Museum of Art, Tampa, FL (February 25- April 21, 1996). Group exhibition”
    • “March-26 May: The Butler Institute of American Art, Youngstown, OH, United States.”
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” – IV Photobiennial. Vigo, Spain.”
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Street Level. Glasgow, Scotland.
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Aperture, Burden Gallery. New York, NY.
    • “Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      Philadelphia Museum of Art, Philadelphia, PA, (June 23- August 18, 1996). Group exhibition”
    • “Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      – San Jose Museum of Art, San Jose, CA, (August 31- November 10, 1996) Group exhibition.”
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” II International Festival of Video and Electronic Arts of Buenos Aires. Buenos Aires, Argentina.

    1997

    • Exhibition at the Centro Cultural Guadalupe, Mexico.
      “Nash Editions Touring Show.
      Cypress College, Cypress, CA, United States. (September 9- October 31, 1997). Group exhibition”
    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Mexican Cultural Center. Quito, Ecuador.
    • Photos of the Year ’97 (Group exhibition).

    1998

    • “Truths and Fictions: A Journey from Documentary to Digital Photography.” Art Institute Boston.
    • “Nash Editions Touring Show (Group exhibition).
      College of Fine Art, Jacksonville, FL, United States. (March 22- May 10, 1998).”
    • “Las fricciones con el tiempo en Verdades y Fricciones.” Centro de la Imagen, Mexico City.
    • “Nash Editions Touring Show (Group exhibition).
      Bergstrom Mahler Museum, WI, United States. (May 31- July 19, 1998).”
    • “Nash Editions Touring Show (Group exhibition).
      Canton Art Institute, Canton, OH, United States. (August 9- October 23, 1998).”
    • “Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.”
    • The Ackland Art Museum, Chapel Hill, NC, United States. (October 26, 1997-January 4, 1998). Group exhibition
    • “The Renaissance of Photography.” SPE Conference, Los Angeles, CA.
    • “The Body in Photography (Group exhibition).
      National Museum of Art, Mexico.”
    • “Homage to Vincent Van Gogh (Group exhibition).
      Van Gogh Foundation d’Arles, Andorra.”

    1999

    • Nash Editions Touring Show (Group exhibition).
    • Image and Transformation. The Metamorphoses of Tony Culver’s Photographs: Photography in the Electronic Age.
      Organized by Aperture. Traveling exhibition in the United States.
      Dubuque Museum of Art, Dubuque, IA, United States. (October 1- December 5, 1999). Group exhibition.”

    2000

    • “Retratos de Ayer y Hoy.” Epson Gallery, Mexico City, Mexico.
    • “Photographs by Pedro Meyer.” Singer Gallery, Mizel Arts Center. Denver, CO.
    • A Sense of Style a Sense of Place: National Photography Invitational (Group exhibition).
      Between Worlds: Jewish Artists in Latin America (Group exhibition).
    • “USVA Noorderlicht Photogallery (Group exhibition).
      Netherlands.”
    • “El Cuerpo Aludido. Anatomías y construcciones, México Siglos XVI-XX (Group exhibition).
      National Museum of Art, Mexico City.”

    2001

    • “Retratos de Ayer y Hoy.” Fototeca de Veracruz. Veracruz, Mexico.
    • “Expression (Group exhibition).
      Centro de la Imagen, Mexico City.”
    • Participates in “Day in a Life of Africa,” book, DVD, and exhibition. Grand Central Station, New York, United States, and 30 other cities internationally.
    • “Una Flow- Media City, International Biennial (Group exhibition).
      Korea Museum of Modern Art, Seoul, Korea.”

    2003

    • “Manuel Álvarez Bravo. Through the Lens of Coyoacán Photographers (Group exhibition).
      Casa de la Cultura Jesús Reyes Heroles. Mexico City. (February 26- March 30).”
    • “Documentary Photography 70’s and 80’s (Group exhibition).
      Mexican Council of Photography. A.C. Mexico City.”
    • “Only Skin Deep: Changing Visions of the American Self (Group exhibition).
      International Center of Photography. New York, NY, United States.”
    • “Xavier Villaurrutia: La Fuga del Rostro (Group exhibition).
      Centro de la Imagen, Mexico City. (December-February).”
    • “The New Print Digital Evolution (Group exhibition).
      Santa Fe Center for Contemporary Arts, NM, United States.”

    2004

    • “A Slightly Different Beast: The Digital Print (Group exhibition).
      Photography is Art Gallery. TX, United States.”
    • “Pedro Meyer. Escribe Fotografía.” Digital portraits of contemporary writers from Letras en el Golfo 2004. Casa del Acueducto, Museo de El Carmen. Mexico City, Mexico.

    2005

    • “The Camera’s Brush.” Sala de Arte Siqueiros. Mexico City, Mexico.”
    • “Digital Renaissance Man.” Birla Academy. Kolkata, India.
    • “Pedro Meyer o pincel da camara.” Centro Cultural do Banco do Brasil. Foto Arte 2005. Brasilia, Brazil.
    • “Nuevas Castas. Mexico at Arco ’05 Madrid, Spain (Group exhibition).
      Fernando Pradilla Gallery, Madrid, Spain (January 26- February 19)”
    • “Retratos de Ayer y Hoy.” Museum of Art of Querétaro. Querétaro, Mexico.”

    2006

    • “ABCDF Portraits of Mexico City (Group exhibition).
      Queens Museum of Art, New York, NY, United States. (March 12- September 17)”
    • Pedro Meyer “Meyer returns to Madrid.” Fernando Pradilla Gallery. Madrid, Spain.
    • “Pedro Meyer.” China Pingyao International Photography Festival. Pingyao, China.
    • “20th Anniversary of the Fototeca de Cuba (Group exhibition).
      Havana, Cuba.”

    2007

    • An Eclectic Eye: Selections from the Dan Leach Collection (Group exhibition). Tucson Museum of Art. Tucson, AZ, United States. (September 2007-January 2008).
    • Revelation, Revolt, and Fiction. Made in Latin America (Group exhibition). Centro de la Imagen, Mexico City. Fotoseptiembre. (September-December)
    • “The Gaze of 45 Mexican Photographers.
      Curated by Pedro Meyer and Francisco Mata at the Guangdong Museum of Art, China.”

    2008

    • “Heresies, a Pedro Meyer Retrospective” – Art Museum of the Americas. Washington, D.C. – Centro Cultural Muros. Cuernavaca, Morelos, Mexico. – Escuela Activa de Fotografía. Cuernavaca, Morelos. – Centro Italiano della Fotografia d’Autore. Bibbiena, Arezzo, Italy. – Foto & Photo. Cesano Maderno, Milan, Italy.
    • Heresies, a Pedro Meyer Retrospective” – The Perth Centre for Photography. Perth, Australia. – Australian Centre for Photography. Sydney, Australia. – Complesso Museale di San Francesco. Montefalco, Umbria, Italy. – Museu d’Art Contemporani d’Elx. Elche, Alicante, Spain. – Fernando Pradilla Gallery. Madrid, Spain. – Centro de Documentación de la Imagen de Santander (CDIS), Santander City Council, Ángel de la Hoz Room. Santander, Cantabria, Spain. – Centro de Arte y Naturaleza. Huesca, Aragon, Spain. – Central European House of Photography. Bratislava, Slovakia. – Museum of Modern & Contemporary Art. Rijeka, Primorje-Gorski Kotar, Croatia. – National Museum of Singapore. Singapore. – Peace Niche at T2F. Karachi, Sindh, Pakistan. – Tasveer Galleries. Delhi, India. – Tasveer Galleries. Bangalore, India. – Tasveer Galleries. Mumbai, India. – Tasveer Galleries. Kolkata, India. – National Art Museum of China. Beijing, China. – Drik Gallery II. Dhaka, Bangladesh. – Centro Municipal de Fotografía. Montevideo, Uruguay. – Sistema Nacional de Fototecas. National Fototeca of INAH. Pachuca, Hidalgo, Mexico. – Museo de la Ciudad de Querétaro. Querétaro, Mexico. – Museo de Arte de Mazatlán. Mazatlán, Sinaloa, Mexico. – Museo de Arte Contemporáneo de Tamaulipas. Matamoros, Tamaulipas, Mexico. – Museo de Arte Contemporáneo Alfredo Zalce. Morelia, Michoacán, Mexico. – Museo Archivo de la Fotografía. Mexico City, Mexico. – La Caja, Museo de Arte Contemporáneo. Museo de Arte Carrillo Gil. Mexico City, Mexico. – Fototeca del Centro de las Artes. Monterrey, Nuevo León, Mexico. – Fábrica de Imágenes. Morelia, Michoacán, Mexico. – Escuela Activa de Fotografía. Mexico City, Mexico. – Dirección de Difusión Cultural de la Universidad Autónoma del Estado de Morelos. Cuernavaca, Morelos, Mexico. – Centro Integral de Fotografía. Puebla, Puebla, Mexico. – Centro Fotográfico Manuel Álvarez Bravo. Oaxaca, Mexico. – Centro Educativo y Cultural del Estado de Querétaro Manuel Gómez Morín. Querétaro, Mexico. – Centro de la Imagen. Mexico City, Mexico. – Centro Cultural Jardín Borda. Morelos Institute of Culture. Cuernavaca, Morelos, Mexico. – Casa Escorza Espacio para la Imagen. Guadalajara, Jalisco, Mexico. – Cuernavaca City Council. Cuernavaca, Morelos, Mexico. – Southeast Museum of Photography. Daytona Beach, FL. – Scottsdale Museum of Contemporary Art. Scottsdale, AZ. – Queens Museum of Art. Queens, NY. – National Museum of Mexican Art. Chicago, IL. – Lehigh University Art Galleries. Bethlehem, PA. – George Eastman House. Rochester, NY. – El Museo del Barrio. New York, NY. – California Museum of Photography. Riverside, CA. – Casa de las Américas. Havana, Cuba. – Museo de Arte Moderno de Medellín. Medellín, Antioquia, Colombia. – Museo Arqueológico de La Serena. La Serena, Elqui, Chile. – Centro Cultural, Palacio La Moneda. Santiago, Chile. – Museu de Arte Contemporânea da Universidade de São Paulo. São Paulo, Brazil. – Espaço Cultural Contemporãneo. Brasilia, Brazil.
    • “Heresies, a Pedro Meyer Retrospective” – Guangdong Museum of Art. Guangdong, China. – Fototeca de Veracruz. Juan Malpica Mimendi. Veracruz, Veracruz, Mexico.
    • “Heresies, a Pedro Meyer Retrospective” 2: Museo de Arte de Zapopan (MAZ) Akron Art Museum. Akron, OH.

    2009

    • “Heresies, a Pedro Meyer Retrospective.” – Museo de Historia Natural de Concepción. Concepción, Chile. – Museo Regional de la Araucanía. Temuco, Cautín, Chile. – Museo Regional de Magallanes Palacio Braun Menéndez. Punta Arenas, Magallanes, Chile.
      “Heretical Musings.” – Akron Art Museum, OH.”
    • “20 Ibero-American Artists / Person with a Soul.” Fache Arts + Amy Alonso Gallery, Museum of Contemporary Art Plaza, North Miami. (Group exhibition)

      “100 Contemporary Photographers in Mexico II.
      Cuartel del Arte. Pachuca, Hidalgo, Mexico. (October-November 2009 – group exhibition).”

    2010

    • “Exhibition ‘Mexican Worlds: 25 Contemporary Photographers.’ Palace of Fine Arts (BOZAR). Brussels, Belgium.”
    • “Heresies, a Pedro Meyer Retrospective.” Brownsville Museum of Fine Art. Brownsville, TX.
    • Heresies, a Pedro Meyer Retrospective” is exhibited at the Centro Cultural Metropolitano de Quito. (July 8 – August 8)
    • “Exilio, arte y discurso: artistas europeos en México” is exhibited at the Museo Memoria y Tolerancia.
    • “A long and personal trip throughout the USA” at the Hellenic American Union Gallery.
    • “Variaciones sobre la movilidad humana” (Group exhibition).
      Alameda Central. Mexico City.”

    2011

    • “Fotográfica Bogotá 2011. Testimony and Vision (Group exhibition).
      Bogotá, Colombia.”
    • “A propósito de la muerte (Group exhibition)
      Galería Casa de la Primera Imprenta. Mexico City, Mexico.”

    2012

    • “The Bathroom. Everyday stories about the public and the private (Group exhibition)
      Museo Archivo de la Fotografía (MAF). Mexico City, Mexico.”

    2014

    • Sex, Drugs & Rock and Roll. Art and Mass Culture in Mexico, 1963-1971 (Group exhibition) Museo Universitario del Chopo, Mexico City (March-June)
    • “Urbes Mutantes: Latin American Photography 1944-2013 (Group exhibition)
      International Center of Photography, New York, United States (May-September)”

    2017

    • March-August “Somoza destruido” in “Monuments, Anti-monuments and New Public Sculpture” at the Museo de Arte de Zapopan, Mexico.
    • April 6- June 18 Loan of several documents from the Pedro Meyer Archive for the exhibition “Documentos Plurales: la participación Brasilena en las muestras de la fotografía latinoamericana Contemporánea (1978- 1981)” for the Centro de la Imagen, Mexico.
    • May 17- September 17 Photographs of the 1985 earthquake for the exhibition “Down and to the Left: Reflections on Mexico in the NAFTA Era,” The Armory Center for the Arts, California, US.
    • October-January 2018 “Monuments, Anti-monuments and New Public Sculpture” with the work “Somoza destruido,” Managua, Nicaragua, 1978 at the Museo Universitario del Chopo.
    • Photographs of Avándaro, 1985 Earthquake, and Los Angeles for the exhibition “50 Years of Pop Culture” at the Foto Museo Cuatro Caminos, Mexico.

    2018

    • Group exhibition “Cóctel fotográfico” AP Gallery of the Faculty of Plastic Arts of the Universidad Veracruzana (UV).
    • “February 16- April 1, ‘Desde la Foto Fija’ Museo de Arte de Querétaro MAQRO, solo exhibition, QRO, Mexico.”
    • CUERPOS EN RESISTENCIA, commemoration of the 50th anniversary of the 1968 student movement, Centro Cultural Universitario Tlatelolco, Group Exhibition.
    • Autobiographical collaboration for “Foto Monumental” Monumental Callao, Peru, Group Exhibition.

    2019

    • Group exhibition “Fotos en libros, libros de fotos. From the Mexican Council of Photography to the Centro de la Imagen.”
    • Group exhibition “Lu’ Biaani: Francisco Toledo y la fotografía” Museo Cabañas, in Guadalajara (Mexico).

    2022

    • Group exhibition “Chicano/a Art, Movimiento y Más in Austin, Texas 1960s to 1980s,” Mexic-Arte Museum, Austin, Texas (April).

    2023

    • Group exhibition “Mexichrome. Fotografía y color en México” at Bellas Artes, Mexico City.
    • Group exhibition “La Niña Blanca. Santa Muerte en Tepito” (from October 21 to November 26) at the José María Velasco Gallery, Colonia Morelos, Mexico City.

    2024

    • “Exhibits ‘La tentación del Angel’ in the group exhibition Digital Witness: Revolutions in Design, Photography, and Film, LACMA
      November 24, 2024 to July 13, 2025”
    • Solo exhibition “Colonia Ajusco” (January) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Del Aquí al más allá” (February) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Yuma” (April) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Cuba” (June) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Fotografío para recordar” (August) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Ixtlilco el Grande” (September) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Durante el 68” (October) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Faubourg Ajusco” (October 19 to December 7, 2024) at LODO Gallery, Paris, France.

    2025

    • Solo exhibition “Un Ecuador” (January 3 to February 28) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Los Cohetes duraron todo el dia II” (March 20 to April 18) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Las Truchas, Lázaro Cárdenas” (May 8 to June 6) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Virgilio” (from June 26 to July 25) at Casa Coyoacán gallery, Mexico City.
    • Solo exhibition “Algoritmos” (from August 14 to September 12) at Galeria Pedro Meyer, Mexico City.

    Collections

    Museums and institutions that have included photographic work by Pedro Meyer as part of their permanent collections.

    2006

    • National Art Museum of China. Beijing, China.

    2007

    • National Museum of Singapore.
    • Southeast Museum of Photography. Daytona Beach, FL, USA.
    • California Museum of Photography. Riverside, CA, USA.
    • Guangdong Museum of Art. Guangdong, China.
    • Tasveer Galleries. Kolkata, India.
    • Tasveer Galleries. Mumbai, India.
    • Tasveer Galleries. Bangalore, India.
    • Tasveer Galleries. Delhi, India.
    • PeaceNiche at T2F. Karachi, Sindh, Pakistan.
    • Australian Centre for Photography. Sydney, Australia.
    • The Perth Centre for Photography. Perth, Australia.
    • California Museum of Photography, Riverside, CA, USA.

    2008

    • Vincent Van Gogh Foundation. Arles, France.
    • National Photo Library of INAH – Pachuca, Hidalgo, Mexico.
    • Espaço Cultural Contemporãneo. Brasilia, Brazil.
    • Museum of Contemporary Art – University of São Paulo. São Paulo, Brazil.
    • Cultural Center – La Moneda Palace. Santiago, Chile.
    • Archaeological Museum of La Serena. La Serena, Elqui, Chile.
    • Museum of Natural History of Concepción. Concepción, Concepción, Chile.
    • Regional Museum of the Araucanía. Temuco, Cautín, Chile.
    • Regional Museum of Magallanes. Braun Menéndez Palace. Punta Arenas,
    • Magallanes, Chile.
    • Regional Museum of Rancagua. Rancagua, Chachapoal, Chile.
    • Museum of Modern Art of Medellín. Medellín, Antioquia, Colombia.
    • Casa de las Américas. Havana, Cuba.
    • Metropolitan Cultural Center. Quito, Pichincha, Ecuador.
    • Akron Art Museum. Akron, OH, USA.
    • Art Museum of the Americas. Washington, DC, USA.
    • El Museo del Barrio. New York, NY, USA.
    • George Eastman House. Rochester, NY, USA.
    • Lehigh University Art Galleries. Bethlehem, PA, USA.
    • National Museum of Mexican Art. Chicago, IL, USA.
    • Queens Museum of Art. Queens, NY, USA.
    • Scottsdale Museum of Contemporary Art. Scottsdale (Phoenix), AZ, USA.
    • Casa Escorza. Space for the Image. Guadalajara, Jalisco, Mexico.
    • Jardín Borda Cultural Center. Institute of Culture of Morelos. Cuernavaca, Morelos, Mexico.
    • Muros Cultural Center. Cuernavaca, Morelos, Mexico.
    • Center of the Image. Distrito Federal, Mexico.
    • Educational and Cultural Center of the State of Queretáro. Manuel Gómez Morín.
    • Queretáro, Queretáro, Mexico.
    • Manuel Álvarez Bravo Photographic Center. Oaxaca, Oaxaca, Mexico.
    • Comprehensive Photography Center. Puebla, Puebla, Mexico.
      Directorate of Cultural Diffusion of the Autonomous University of the State of Morelos. Cuernavaca, Morelos, Mexico.
    • Escuela Activa de Fotografía. Distrito Federal, Mexico.
    • Escuela Activa de Fotografía. Cuernavaca, Morelos, Mexico.
    • Fábrica de Imágenes. Morelia, Michoacán, Mexico.
    • Photo Library of Nuevo León. Center of the Arts. CONARTE. Monterrey, Nuevo León, Mexico.
    • Photo Library of Veracruz. Juan Malpica Mimendi. Veracruz, Veracruz, Mexico.
    • La Caja, Museum of Contemporary Art. Carrillo Gil Art Museum. Distrito Federal, Mexico.
    • Photography Archive Museum. Distrito Federal, Mexico.
    • Museum of Contemporary Art. Alfredo Zalce. Morelia, Michoacán, Mexico.
    • Museum of Contemporary Art of Tamaulipas. Matamoros, Tamaulipas, Mexico.
    • Mazatlán Art Museum. Mazatlán, Sinaloa, Mexico.
    • Tlaxcala Art Museum. Tlaxcala, Tlaxcala, Mexico.
    • Zapopan Art Museum. Zapopan, Jalisco, Mexico.
    • Museum of the City of Querétaro. Querétaro, Querétaro, Mexico.
    • National System of Photo Libraries. National Photo Library of INAH. Pachuca, Hidalgo, Mexico.
    • Municipal Photography Center, CMF. Montevideo, Uruguay.
    • Drik Gallery II. Dhaka, Bangladesh.
    • Museum of Modern & Contemporary Art. Rijeka, Primorje-Gorski Kotar, Croatia.
    • Central European House of Photography. Bratislava, Bratislava, Slovakia.
    • Center for Art and Nature. Huesca, Aragón, Spain.
    • Image Documentation Center of Santander (CDIS). City Council of Santander. Ángel de la Hoz Hall. Santander, Cantabria, Spain.
    • Fernando Pradilla Gallery. Madrid, Spain.
    • Museu d’Art Contemporani d’Elx. Elche, Alicante, Spain.
    • Italian Center for Author Photography. Bibbiena, Arezzo, Italy.
    • Foto & Photo. Cesano Maderno, Milan, Italy.
    • Complesso Museale di San Francesco. Montefalco, Umbria, Italy.
    • The Addison Gallery of American Art in Andover. MA, USA.
    • Babson College, Wellesley, MA, USA.
    • Bert Hartkamp Collection, Amsterdam, Holland.
    • Biblioteque Nationale de Paris, Department des estampes et de la Photographic Paris, France.
    • Boston Museum of Fine Arts, Boston, MA, USA.
    • Casa de Las Américas, Havana, Cuba.
    • Casa de La Cultura de Juchitán, Juchitán, Oaxaca, Mexico.
    • Casa del Lago, National Autonomous University of Mexico, México D.F., Mexico.
    • Center for Creative Photography, Tucson, AZ, USA.
    • Centro de la Imagen, Mexico.
    • Centro Studie e Archivo della Comunicazione dell’ Universitá de Parma, Parma, Italy.
    • Colección de Franco Fontana. Milan, Italy.
    • Comuna di Anghiari, Palazzo Pretorio, Anghiari, Italy.
    • Consejo Mexicano de Fotografía, México D.F., México
    • Grunwald Graphic Arts Center, University of California at Los Angeles, (UCLA), CA, USA.
    • International Museum of Photography, George Eastman House, Rochester, New York, USA.
    • International Center of Photography, New York, USA.
    • Los Angeles County Museum, Los Angeles, CA, USA.
    • Museum of Modern Art, New York, USA.
    • Musee National D’art Moderne Centre Georges Pompidou, Paris, France.
    • San Francisco Museum of Modern Art, San Francisco, CA, USA.
    • The Museum Of Fine Arts, Houston,TX, USA.
    • Universidad de Arizona, Tucson, AZ, Estados Unidos.
    • Victoria and Albert Museum, London, England.

    2009

    • Ayuntamiento de Cuernavaca. Cuernavaca, Morelos, México.

    Commissioned works

    1975
    • Works for Grupo DESC, Lucero Lozano, Old Maps of Mexico, Liverpool, and SALVAT.

    1978
    • Work for SOMEX.

    1980
    • Work for Banca Confía.
    • Work for Banco del Atlántico.
    • Work for Cannon Mills.

    1981
    • Work for Resistol in Lerma.
    • Work for BIMBO.
    • Work of Sacred Art.
    • Work for National Enquirer.
    • Work with Miguel de la Madrid

    1982
    • Work for Aluminios Perdura.

    1983
    • Work for Fester.

    1984
    • Work for Camino Real.

    1985
    • Work for Guadiana.

    Teaching

    1971

    • Anatomías, a program by Jorge Saldaña on the subject of Avándaro. Participants included a group of psychologists, Pedro Meyer, Enrique Soto (Director of the Mexican National Youth Institute), and young people who attended the festival.

    1975

    • On the Use of Photography as a Medium of Expression. Universidad de las Américas, Cholula, Puebla, Mexico.
    • “Photographic Testimony by Pedro Meyer.
      Mexico/Israel Cultural Institute”

    1979

    • Latin American Photography: How they see us, how we see ourselves.
    • Venice ’79, La Fotografia, Venice, Italy.
    • Critique of the photography market; working outside the system.
    • Symposium on Photography, Forum Stadtpark, Graz, Austria
    • “The Portrait.
    • Rencontres Internationales de la Photographie, Arles, France.”
    • Critique of the photography market; working outside the system.
    • Chicano Visual Arts Conference, University of Texas, Austin, TX, United States.
    • Nicaragua and Latin America, Directions and Perspectives, The Photographers; International Center of Photography (ICP), New York, First National Photography Encounter.
    • 1959-79 XX Anniversary, Casa de Las Americas.
    • History of Cuban Photography, Museo de Arte Alvaro y Carmen de Carrillo Gil
    • Photography Forum. I International Photography Contest.

    1980

    • The photographer’s decisions in the face of pain. Universidad Iberoamericana. Mexico City.

    1981

    • II Photography Colloquium.

    1982

    • Latin American Photography. Dialogues on Photography. Los Angeles County Museum of Art, Los Angeles, CA, United States.
    • “Lecture for the ‘Second Latin American Colloquium Photography’ in LA. ‘Latin American Photography’ at the Los Angeles County Museum.”
    • Lecture: “Mexican Photography” and “Markets for Photography,” Casa de la Cultura in Quito, Ecuador. Guest lecturer.
    • Latin American Photography. First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • Critique of the photographic market, working outside the system. First National Photography Encounter. Casa de la Cultura, Quito, Ecuador.
    • Latin American Photography. Dritte Welt Haus, Bielefeld, Germany.
    • Latin American Photography. Universitat Essen, Germany.
    • “The Portrait.” Mexican Council of Photography, Mexico City, Mexico.

    1983

    • History of the Mexican Council of Photography. First National Photography Encounter in San Miguel de Allende, Casa de la Cultura, «El Nigromante», San Miguel de Allende, Mexico.
    • Dialectics of the Spectator, round table on the work of Tomás Gutierrez Aléa. Casa de la Fotografía, Mexico City, Mexico.
    • Presents an audiovisual of his work within the “Contemporary Photography” cycle at the Museum of Modern Art in Mexico.
    • Two Visions of Mexican Photojournalism. Center for Communication Studies: Mexico City, Mexico.

    1984

    • Presented at the Third Latin American Photography Colloquium in Havana, Cuba. Conducts the workshop “Organizing a Portfolio”.
    • Photographs by Pedro Meyer. Arizona Western College, Yuma, AZ, United States.
      Photographs by Pedro Meyer. Center for Creative Photography, University of Arizona, Tucson, AZ, United States.
    • The use of photography to teach literacy, Society for Photographic Education, SPE. Riverside, CA, United States.
    • Lecture: “The use of photography for literacy: experience in Peru.”
    • Photography in the Nicaraguan Revolution. Comments on the paper presented by Esther Parada. Society for Photographic Education, SPE, Riverside, CA, United States.
    • Why and for whom does one photograph? First National Photography Colloquium, Pachuca, Hidalgo, Mexico.
    • Why and for whom does one photograph? Third Latin American Photography Colloquium, Havana, Cuba.

    1985

    • Photographers visiting Ecuador. Alliance Française, Quito, Ecuador.
    • Meeting of photography professionals in Luxembourg. UNESCO.
    • “The Portrait.
      Casa de la Fotografía of the Mexican Council of Photography, Mexico City, Mexico.”
    • Photography and Photojournalism in the World Communication System. Teatro dei Ricomposti, Anghiari, Italy.
    • The Photographic Image: Why and for Whom? Yuma Symposium No: 6, Yuma AZ, United States.
    • “The Monday Workshop” 3 years of workshops for young photographers at the Mexican Council of Photography. Mexico City, Mexico.

    1986

    • Latin American Photography. Foto Fest, Houston, TX, United States. (May).
    • “Centrum for Photography lectures on Latin American Photography
      Planket 86 Stockholm and Gothenburg, Sweden.”
    • The Popularization of Casasola’s Photographs of the Revolution. Art & Revolution: The Mexican Case, Blaffer Gallery, University of Texas, Houston,
      TX, United States.
    • New Orleans Museum of Art. New Orleans, LA, United States.
    • The artist and their commitment to cultural heritage. National Cultural Heritage, its Conservation and Protection. College of Ethnologists and Social Anthropologists, A.C. National Museum of Anthropology. Mexico City, Mexico.
    • Round Tables on Photography. Avril Gallery. Mexico City.
    • “Reportage and Anti-reportage: Truth and falsehood in photography.” First Israeli Biennial of Photography, taught with Joan Fontcuberta. Kibbutz Ein
      Harod, Israel.
    • Creating in photography, round table. First Salon of Photography. Salón de la Plástica Mexicana. Mexico City.

    1987

    • Reflections on Latin American photography. FUNARTE, National Art Foundation, VI National Photography Week, Rio de Janeiro, Brazil.
    • Photography: document and expression. Round table parallel to the exhibition Los Trabajos y los Días by Víctor Flores Olea. Mexican Council of Photography, Mexico City, Mexico.
    • National Conference of the Society for Photographic Education (SPE). Boston, MA, United States.

    1988

    • Fotoforum, Pedro Meyer Photographs of Latin America, San Francisco Museum of Modern Art, CA. United States.
    • “The Friends of Photography” Workshop and the course “The photograph as a Document” at Dominican College, San Rafael.
    • Attends “The Third International Photography Congress” in Rockport, Maine.

    1989

    • Latin American Photography. Fourth International Photography Congress, Maine Workshops, Rockport, ME, United States.
    • The Electronic Image and the Future. 150 years of photography in Mexico. Palacio de Bellas Artes, Mexico City, Mexico.
    • At Port San Luis Harbor District, in Avila Beach, CA.
    • Attends the 10th Yuma Symposium.

    1990

    • Lectures on personal work, San Juan, Puerto Rico organized by EN FOCO, New York, United States. Visual Community Arts Agency in the Intercambio program.
    • Latin American Photography, at the Twenty-second Photography Seminar, The National Geographic Society. Washington D.C., United States.
    • Visual Community Arts Agency in the Intercambio program.
    • Mother Jones Awards, San Francisco, CA, United States.
    • Rochester Institute of Technology, New York, United States.

    1991

    • Multimedia Designers Conference, organized by the Aspen Institute. Laguna Beach, CA, United States.

    1992

    • Media Map – Museum of Modern Art, Los Angeles, CA, United States.
    • Directs graduate seminar on “The image in the age of digital technology” at Graduate Studies, Dept. of Photography, The Art Center Pasadena, CA.
    • Made in the Americas – Latin American Photography, San Francisco Museum of Modern Art. San Francisco, CA, United States.
    • Pedro Meyer’s Work, Museum of Contemporary Arts, MOCA, Los Angeles, CA, United States.
    • Photography from B.D. to A.D. Digital Photography: Ethical Issues Related to Digital Image Making, Seybold Conference, San Francisco, CA, United States.
    • “I Photograph to Remember” at The Cyberarts Gallery, within the Third Annual Cyberarts International Conference in Pasadena, CA.
    • City View – Mexicans in LA feature on Pedro Meyer. KABC TV Los Angeles, CA, United States.

    1993

    • “Lecture in San Francisco, Mac World.”
    • The challenges of technology to contemporary Latin American photographic creation. Latin American Photography Encounter. Caracas, Venezuela.
    • Presentation “Presentation at TV”.
    • National Center for the Arts. Mexico City, Mexico.
    • Digital World Hilton.
    • Workshop at Artimedia. Batley, Yorkshire, U.K.
    • Riverside Symposium.

    1994

    • Mexico Through Foreign Eyes. Armand Hammer Museum, Los Angeles, CA, United States.
    • National Museum of Photography, Film and Television. Bradford, Yorkshire, UK
      Seybold Conference.
    • Images and interaction: showcasing photographs in multimedia. VISCOMM – United Digital Artists, San Francisco, CA, United States.
    • Vox Mondi – Digital media Consortium, University of California, Los Angeles, CA, United States.
    • Digital Evolution – Symposium on Digital Photography. Pebble Beach, CA, United States.
    • Houston Center of Photography, Symposium. Houston, TX, United States.
      Fotofest. Houston, TX, United States.
    • Centro de la Imagen. Mexico City, Mexico.
    • The Interface of the Narrative. Arts Center, Pasadena, CA, United States.
    • Digital Photography and the Visual Truth. California Museum of Photography in Riverside. United States.
    • Digital Photography in Photojournalism. First Photojournalism Biennial. Centro de la Imagen. Mexico. (November)

    1995

    • Mediawork 5, Art Center, Pasadena, CA, United States.
    • Digital Story Telling Festival, Crested Butte, CO, United States.
    • Digital World 1995, Los Angeles, CA, United States.
    • Powers of Art: Symptoms, Sympathies, Systems, Change FotoKena, Cologne, Germany.
    • FotoFeis, Scotland.
    • Society for Photographic Education, National Conference. Arts Center, Pasadena, CA, United States.
    • We all have something to say. Universidad Iberoamericana, Mexico City, Mexico.
    • San Francisco lecture, MacWorld
    • ISDN lecture.

    1996

    • Palm Beach Photographic Museum Workshops, Fotofusion ’96 Festival of Photography, FL, United States.
    • Intermedia World, San Francisco, CA, United States.
    • 12th Graphic Design Congress Made in Latin America 100% Design.
    • Universidad de las Américas, Puebla, Mexico.
    • Palm Beach Workshops.
    • Photography and NET worked Society, Dutch Electronic Art Festival (DEAF) Nederlands Institute of Photography, Rotterdam, The Netherlands.
    • About Photography in the Age of Electronic Reproduction, Arbeitskreis Digitale Fotografie (ADF). Cologne, Germany.
    • Three caravels heading for the new millennium. National Center for the Arts. Mexico City, Mexico.
    • V Latin American Photography Colloquium.
    • Arts & Technology Conference.

    1997

    • The times and mistimes of photography in the digital hour. II Communication Symposium. «Globalization and Development: The Role of Communication.» Tijuana Cultural Center. Baja California, Mexico.
    • The times and mistimes of photography in the digital hour. II Communication Symposium. «Globalization and Development: The Role of Communication.» Universidad Autónoma de Baja California. Mexicali, Baja California, Mexico.
    • MacWorld.
    • College of Communication Studies and Fine Arts, Bradley University, Peoria, IL, United States. (November)
    • Art Department, Stanford University, Stanford, CA, United States. (February)
    • Society for Photographic Education, 34th National Conference, Dallas, TX, United States.
    • Pedro Meyer on the Ground Zero Project. Society for Photographic Education, 34th National Conference, Dallas, TX, United States.
    • Clicking In: Hot Links to a Digital Culture. Museum of Contemporary Art, Los Angeles, CA, United States.
    • Truths and Fictions. Alliance Française. Quito, Ecuador.
    • Internet World Los Angeles.
    • Arts Center round table
    • “Seminar on Experimental Digital Techniques for filmmakers and artists from Latin America.” Bariloche. Argentina.
    • IESPAL. Quito, Ecuador.

    1998

    • The Masterclass: Duckspool Photographic Workshops, England.
    • Lecture with Pablo Delano. “The frictions with time in Truths and fictions.” Photography Lecture Series 1997-1998. Trinity College, Hartford, CT.
    • Yuma Symposium.
    • Where does the art reside in, within the internet?” Public Showing: Conference. Center for Twentieth Century Studies Univ. of Wisconsin, WI.
    • “DuPont lecture Series: 5 contemporary artist.” The Art Institute of Boston. Boston University’s
      Metcalf Center for Science and Engineering”
    • “The photographer at the technological crossroads.” Photography at the End of the Century: Situation in Spain, University of Seville, Spain.
    • Photoshop Orlando ‘98. Florida, United States.

    1999

    • Spatializing History and Memory. Interactive Frictions. At the pressure point between theory and practice. University of Southern California, LA, United States. (June)
    • Digital Photography. Maryland Institute College of Art, United States.
    • “We all have something to say.” Universidad Iberoamericana, Mexico City, Mexico.
    • Digital Photography. Manchester’s Craftsman Guild, Pittsburgh, United States.
    • Digital Photography. Yuma, AZ, United States.
    • A Talk without a title. The 20th Yuma Symposium (February)
    • 2nd State Photography Encounter. Monterrey, Nuevo León, Mexico.
    • Globalization and Culture. NYU Center in Buenos Aires, Argentina.
    • Digital Photography. Diario Clarín, Buenos Aires, Argentina.

    2000

    • 2nd State Photography Encounter. Monterrey, Nuevo León, Mexico.
    • Globalization and Culture. NYU Center in Buenos Aires, Argentina.
    • Digital Photography. Diario Clarín, Buenos Aires, Argentina.
    • “Creating a New Language.” 15-day meeting (8 hours daily) of panels and discussion with international figures, The Lit Lab, Kent, England.

    2001

    • Opening various spaces: To each their own space. Photojournalism colloquium, 4th Photojournalism Biennial. Mexico City, Mexico.
    • Digital culture and photography. Foto Guanajuato 2001 Encounter. State Institute of Culture, Guanajuato, Mexico.
    • Zone Zero: from Analog to Digital Photography. 7th International Festival of Photography, Moscow, Russia.
    • Digital Photography Workshop.” The Withernsea and Southern Holderness Media Lab.
    • The Guardian of Server Talk. London College of Printing, England.
    • “Digital Photography Workshop.” Duckspool Center of Photography, England.
    • Digital photography. Fototeca de Veracruz, Veracruz, Mexico.
    • Digital photography. Fotowest, LA, United States.
    • Rhubarb International Folio Festival, Birmingham, England. Portfolio Review.

    2003

    • Which decisive moment? Colloquium: 10 years from analog to digital: ZoneZero. National Center for the Arts, Mexico City. (September)
    • “Which decisive moment?” i3 Forum Lecture. Laguna Beach, California, United States.
    • i3 Forum Lecture. Laguna Beach, California, United States.
    • Forum: Current status and prospects of digital art, Mexico-Spain theoretical reflection. Museo Estampa, Mexico City, Mexico. Museo del Carmen, Mexico City, Mexico.
    • Digital Photography and Cyberspace. First Luz del Sur Photographic Encounter. Tuxtla Gutiérrez, Chiapas, Mexico.
    • Digital Photography Workshop.” Photo España, Círculo de Bellas Artes. Madrid, Spain.

    2004

    • Truth and Fiction. Arbeitskreis Digitale Fotografie (ADF) Imaging Symposium 2004. Die helle Kammer Digitale Bildbearbeitung in der profesionellen Fotografie. Internationales Haus der Photographie Deichtorhallen. Freiburg, Germany. (November)
    • “1st International Photojournalism Congress.
      Pontifical Catholic University of Peru, Peru.”
    • Keynote: 1978-2004: a quarter century since the I Latin American Photography Colloquium. Latin American Photography Forum. National Center for the Arts. Mexico City, Mexico. (June)
    • “Digital Manipulation.” ISDB Bhaban. Dhanmondi, Dhaka, Bangladesh.
    • Video projection: I Photograph to Remember. XII Photography Month in Xalapa. Pedro Meyer Tribute. Ramón Alva de la Canal Gallery. Veracruz, Mexico. (June)
    • Ethics in the era of digital photography. 1st International Photojournalism Congress. Pontifical Catholic University of Peru. (May)
    • “Digital Photography.” Chobi Mela III. International Festival of Photography, Asia. Bangladesh.
    • “Writing with Light.” Chobi Mela III. International Festival of Photography, Asia, 2004. Drik Gallery. Dhaka, Bangladesh.

    2005

    • The photographer as author. FotoRio 2005 International Photography Encounter of Rio de Janeiro. Centro Cultural Justica Federal. Rio de Janeiro. Brazil.
    • Diploma in Contemporary Photography. Universidad Autónoma Metropolitana, Xochimilco Unit. Mexico City, Mexico.
    • Dialogues with a pioneer of the digital photographic era. Centro de la Imagen. Mexico City, Mexico.

    2006

    • Heresy (the transformation of a dead archive into a living one). XIV Colloquium of the Seminar for the Study and Conservation of Cultural Heritage. Photography: image and matter. Auditorium of the Santo Domingo Cultural Center. Oaxaca, Mexico.

    2007

    • “If you liked documentary work, you are going to love digital images.” Shifts Archives in dialogue and new identities in documentarism. Changing Faces, Culture 2000, 2nd Conference. International Photography Research Network. University of Jyväskylä. Finland.
    • First Latin American Photography Forum of Sao Paulo. Sao Paulo, Brazil. October 2007.
    • Trágameluz 2007. Sixth Photographic Exhibition. San Cristobal, Chiapas, Mexico. (August)
    • Perspectives Forum. Photography and Diversity in Latin America. Table: Networks and Dialogues. Auditorium of the Biblioteca México José Vasconcelos. Centro de la Imagen, Mexico City, Mexico. (September).
    • The Democratic Image Photography and Globalisation. Look 07. Symposium The Democratic Image Photography and Globalisation. Red Eye. Mechanics Centre, Manchester, England. (April).

    2008

    • 4th Colloquium of Critical Studies. Centro Cultural Helénico. Institute of Critical Studies. Mexico City, Mexico. (January).
    • “Photography in the age of the internet. New channels of circulation and communication” at the Centro de la Imagen. Mexico City, Mexico.
    • Reflections on digital photography. Inter-medios. Centro de la Imagen. Mexico City, Mexico. (October).
    • Traveling exhibitions in more than 60 countries of the Heresies project.
    • Tribute to Ernesto Cardenal. Museum of Anthropology of Xalapa.
    • Image of Images Forum. Photography and editing in the lecture “Editing and Media. Present and future.” as part of the International Artist’s Book and Fotoseptiembre Fair. Centro de la Imagen. Mexico City, Mexico.

    2009

    • X Digital Art Salon in Havana, Cuba. Lecture «The future of the book» during the X Digital Art Salon Colloquium. Havana, Cuba. (November)
    • Image of Images Forum. Photography and editing in the lecture «Editing and Media. Present and future.» as part of the International Artist’s Book and Fotoseptiembre Fair. Centro de la Imagen. Mexico City, Mexico. (September)
    • Heretical Musings. Akron Art Museum. Ohio, United States (January)
    • “Contemporary Photography Seminar 2009.
      Teaching the workshop “Photography in the age of the internet. New channels of circulation and communication” at the Centro de la Imagen. Mexico City, Mexico”
    • Digital Photography.» Anghiari, Italy 2010 (December 3).
    • ““Recent Photographs.” At the Centro Hispanoamericano de Cultura. Havana, Cuba.
      X Digital Art Salon in Havana, Cuba.”
    • Lecture “The future of the book” during the X Digital Art Salon Colloquium. Havana, Cuba.

    2010

    • Digital Photography.» Anghiari, Italy 2010 (December 3).
    • “Photography and Literature” Taught by Pedro Meyer and Martín Solares. Pedro Meyer Foundation. Mexico City, Mexico.
    • Art and Internet. Pedro Meyer participated in a round table as part of the activities of the Athens Photo Festival 2010. (November 24).
    • “A Kangaroo Named Huachinango.» Lecture given at the “”Mayo Fotográfico”” festival in the auditorium of the Ágora de la Ciudad, an event organized by the Universidad Veracruzana and the Faculty of Visual Arts.
      Lecture given at SIF Mazatlán. (October 30).”
    • The Photographic Image in the 21st Century.» as part of the «Heresies» exhibition to be shown at the Centro Cultural Metropolitano in Quito, Ecuador. (July 13).
    • A Kangaroo Named Huachinango.» Lecture given at the «Mayo Fotográfico» festival in the auditorium of the Ágora de la Ciudad, an event organized by the Universidad Veracruzana and the Faculty of Visual Arts (May 13).

    2011

    • “Digital applications in contemporary photography.” Chobi Mela VI Festival, Bangladesh.
    • ““And I’m still the king…” El Museo Gallery and Espacio 2. Bogotá, Colombia.”
    • “Ideas for the end of the world.” Pedro Meyer Foundation, Mexico.

    2012

    • Think and Build. TEDx, Historic Center, Mexico (December).
    • 6th Ceiba Cultural Festival. Talk with Pedro Meyer. Carlos Pellicer Regional Museum of Anthropology. Villahermosa, Tabasco. Mexico (October).
    • Participation of Pedro Meyer in World Press Photo. Netherlands (March).
    • Welcome Lady Crisis. Pedro Meyer Foundation. Mexico City, Mexico.
    • Colloquium «Reflections on the ephemeral and the permanent of the digital image.» UAM Cuajimalpa. Mexico (October).
    • II International Meeting of Photography Centers: Future Present. The image in the 21st century. Dialogue table with Pedro Meyer. Fotoseptiembre. Centro Cultural Tlatelolco. Mexico City (September).

    2013

    • Keynote: First Photography Encounter of the Central-Western region. Keynote Lecture. Morelia, Mexico (September).
    • Latin American Photography Forum. Far Beyond the Click, the Representation of the Future. Sao Paulo, Brazil (October).
    • Digital Photography. Santiago, Chile (August).
    • How to educate today for the photography of the future. Pontifical Catholic University of Chile campus. Santiago, Chile. Portfolio reviewer.

    2014

    • Casa de Francia Cultural Center. Café de las imágenes: Dialogue with Pedro Meyer / the new tropes of Latin American photography. Mexico City (February).
    • Diploma in Photo-narrative and New Media. Foto Museo Casa Coyoacán of the Pedro Meyer Foundation. Mexico City.
    • Pedro, along with other photographers, spoke at the museum night hosted by the Pedro Meyer Foundation about new audiovisual formats.

    2016

    • Lecture on digital photography, as part of the closing activities of the II Photography Week organized by the University Center of Art, Architecture and Design of the University of Guadalajara. Guadalajara, Jalisco (September).
    • Keynote lecture during the Seventh Argentine Biennial of Photography.
    • Documentary. San Miguel de Tucumán, Argentina (October).
    • The possibilities of the portrait. Master workshop. FotoMuseo Cuatro Caminos. Mexico. (October)
    • “From the still photo” at the Querétaro Photographic Encounter (ENFOQUE) 2018. Mexico (February)
    • Keynote lecture at the UG. Participation along with photographer Bruno Bresani and Daniel Arroniz. Guanajuato (September)
    • Receives tribute at the National Polytechnic Institute (IPN) (October)

    2017

    • From 40 years to 20 seconds. Latin American Photography Colloquium at Museo Cuatro Caminos. Mexico (September).

    2018

    • Lecture as part of the exhibition “From the still photo” at the Querétaro Photographic Encounter (ENFOQUE) 2018. Mexico (February).

    2020

    • “Tuesday Workshop. Foto Museo Casa Coyoacán of the Pedro Meyer Foundation. Mexico City.”