{"id":10466,"date":"2026-04-30T11:20:36","date_gmt":"2026-04-30T17:20:36","guid":{"rendered":"https:\/\/pedromeyer.com\/expo-galeriapm\/an-ecuador-ii\/"},"modified":"2026-04-30T11:20:36","modified_gmt":"2026-04-30T17:20:36","slug":"an-ecuador-ii","status":"publish","type":"expocisiones-gpm","link":"https:\/\/pedromeyer.com\/en\/exhibitions-pmg\/an-ecuador-ii\/","title":{"rendered":"AN ECUADOR II"},"excerpt":{"rendered":"<p>An Ecuador brings together several returns: the commission for Smithsonian magazine, the 2002 family trip, the fall at Hacienda La Rinconada, the visit to the Gal\u00e1pagos Islands, and Pedro Meyer&#8217;s public return with his work Heresies. Edited with texts by Colombian-Ecuadorian photographer Yinna Higuera, the book intersects archive, body, and memory, moving from otherness to vulnerable power and from published photography to the image that the archive preserves as truth. <\/p>\n","protected":false},"featured_media":10467,"template":"","anos-expo-galeria-pm":[68],"class_list":["post-10466","expocisiones-gpm","type-expocisiones-gpm","status-publish","has-post-thumbnail","hentry","anos-expo-galeria-pm-68"],"_links":{"self":[{"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/expocisiones-gpm\/10466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/expocisiones-gpm"}],"about":[{"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/types\/expocisiones-gpm"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/media\/10467"}],"wp:attachment":[{"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/media?parent=10466"}],"wp:term":[{"taxonomy":"anos-expo-galeria-pm","embeddable":true,"href":"https:\/\/pedromeyer.com\/en\/wp-json\/wp\/v2\/anos-expo-galeria-pm?post=10466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}